In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.
OTF | 12 Fonts | JPEG Preview | 4.2 Mb RAR
The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling, Eagle Bold, the symbol of American recovery, drawn in 1933 for the National Recovery Association. Font Bureau Eagle was started in 1989 for Publish. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series.
TTF | 4 Fonts | JPEG Preview | 5.1 Mb RAR
Loosely inspired by the signage typography of early-twentieth-century Danish desinger Knud V. Engelhardt and deeply rooted the Danish typography tradition, Ovink is a typeface optimized for legibility for distances both near and far. Named after the legibility researcher Gerrit Willem Ovink, the typeface is informed by experimental legibility investsigations of distance and time thresholds—contributing to Ovink’s signature two-storey ‘a’, rounded-spine ‘s’, long-tailed ‘j’ and ‘t’, and open-aperture ‘e’, among other optimizations. These characteristics make Ovink an exceptional choice for distance applications such as signage, but the high regularity of the letters, as well as Ovink’s wide span of weights and glyph variations, also make Ovink highly suitable for running text. Ovink was created by designer, researcher, and lecturer Sofie Beier, who also designed Ovink’s bestselling predecessor, Engel.
OTF | 18 Fonts | JPEG Preview | 4.4 Mb RAR
Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.
OTF | 4 Fonts | JPEG Preview | 4.4 Mb RAR
Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms. Also it is legible in prints and on screens. The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics. The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions. If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.
OTF | 14 Fonts | JPEG Preview | 4.2 Mb RAR
Briko is a legible hand-crafted type family that comes in two weights. Its little bit bumpy outline and soft edges give it friendly feelings. There are two versions of Briko Family; Briko and Briko Rough(textured). Perfect for a header for an article, posters or for anything needing a legible and neat hand-written type family.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes.
OTF | 6 Fonts | JPEG Preview | 6.7 Mb RAR
St Patrick is a typeface inspired by medieval inscriptions but adapted to modern typography. In addition to the regular style there are 4 variants that can be combined in layers. Includes smallcaps and alternatives. This typeface is the oblique variant of the font San Benito (also from TipoType).
OTF | 5 Fonts | JPEG Preview | 7.6 Mb RAR
AmpleSoft is a softer version derived from Ample type family. AmpleSoft is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewerís attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleSoft is designed by Aakash Soneri in the year 2014.
OTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Wurz is a family with 32 variants. Designed for labels, titles and posters. And to play with typography in large sizes! Is a grotesque geometric. Designed on a modular basis.
OTF | 32 Fonts | JPEG Preview | 4.4 Mb RAR
Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine. The request of the president Mario Piazza was a new CP Company with some redesigned glyphs, but the result is a radical evolution of its concept being intended to be used as a font for text far more readable. In Abitare Sans was kept the geometric structure without neglecting the numerous editorials requirements.
TTF | 30 Fonts | JPEG Preview | 12.4 Mb RAR
This antique script is based on Spencerian script released from MacKellar, Smiths, & Jordan in the 19th century. This family comes in two varieties, Standard and ornamented capitals. The Standard has orthodox style for formal text and display. This makes it possible you to use this style for any projects. The unique Ornamented is suitable for eye-catching part of your project: headlines, wedding invitations and logo. Every glyphs were added antique and distressed effect by hand work with great care to be looked like natural. Use your ideas to enjoy this exclusive script.
OTF | 1 Font | JPEG Preview | 15.3 Mb RAR
Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.
OTF | 28 Fonts | JPEG Preview | 4.7 Mb RAR