Aguda Stencil font family is the stencil version of the Aguda font family and has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 8 styles. The 4 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 4 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.
OTF | 8 Fonts | KPEG Preview | 3.2 Mb RAR
Clear skies. Crisp air. Ripe organic produce. Artisan bread at the farmer’s market. Olives. Fragrant bouquets. Guernseys in the meadow. Glimpses of the Golden Gate and the city on the bay. Afternoons in the forest, foraging mushrooms. Day trips to wine country. Toasting to love, peace & hope with good friends. Dungeness crab fresh off the boat. Walks to the Mission with fair-trade coffee in hand. Sharing buttery homemade cupcakes. San Rafael lives the good life! A flirty, sweet hand lettered font, San Rafael strikes just the right balance between sophisticated and casual. San Rafael Mission is perfect when you desire a more generous open breezy feel. San Rafael and San Rafael Mission have a lovely collection of alternative glyphs & ligatures accessible in any OpenType aware application. They are perfect for labels, packaging, logotypes, book titles, gifts & stationery goods. San Rafael pairs beautifully with other Tart Workshop fonts, especially Carrotflower and Sugarplum.
OTF | 2 Fonts | JPEG Preview | 4.4 Mb RAR
Jubilat explores the history of the slab serif in six weights, with generous curves and efficient spacing in both dimensions. Its large lowercase and high contrast make it suitable for headlines, decks, and sidebars. Jubilat is our charter OpenType family, and employs three stylistic sets for hybrid, antique, and geometric alphabets. It also includes alternates, ligatures, case-appropriate punctuation, loose fractions, and broad language support. Developed with input from publication designers on four continents, Jubilat has also been field-tested in diverse circumstances, from dailies on newsprint in the Middle East to high-gloss fashion bibles in the subtropics.
OTF | 12 Fonts | JPEG Preview | 5.5 Mb RAR
She did not live to experience her breakthrough as a poet, but today she is considered one of the pioneers of literary modernity – the American lyricist Emily Dickinson (1830–1886). She left behind a life’s work of manuscripts on scraps of paper, note pads and letters – and a last wish, that these were to be burned. Emily’s younger sister Lavinia did not fulfill her wish – and thus preserved the ingenious manuscript-objects for posterity. For Julia Sysmäläinen, designer of the award winning Kafka type family FF Mister K, Dickinson’s manuscripts were an inspiration and a source for creating her new typeface “Emily In White”. Emily In White – named after Emily Dickinson’s preference for white clothes – captures the most filigree letterforms of the poet’s multifaceted writing style. With hundreds of alternates and ligatures and a complex OpenType feature code it manages to revive the lively sequence of single and connected glyphs of a delicate handwriting which has been described as “breezing” and “reminding of bird tracks”. Language support Western and Central European, over 1800 glyphs.
OTF | 1 Font | JPEG Preview | 6.3 Mb RAR
CA Oskar came into being as a custom typeface for the international Traumzeit music festival. As a substantial part of the new corporate identity, it had to be characteristic, but also flexible in use. Starting with the design of compressed caps for headlines, the typeface was soon expanded by a condensed weight for setting of text and further developed into a fully functional font with two widths and two weights. Both weights are very space-efficient, which was -- apart from aesthetic considerations -- an important issue in the process of the design. CA Oskar is a mixture of industrial harshness and friendly round forms, reflecting the spirit of fusion, which is basically what the whole festival is about. Its very slim proportions in two widths make it an attractive alternative to fonts like Alternate Gothic, but CA Oskar adds an extra portion of personality and a coherent choice of weights.
OTF | 8 Fonts | JPEG Preview | 3.3 Mb RAR
Selfie is a connected sans serif based in vintage signage scripts seen in Galerías of Buenos Aires. These places are, in general, very small shopping centres which pedestrians sometimes use as shortcuts to get to other parts of the city. Their dark corridors take you back in time, and all of a sudden you are surrounded by cassettes, piercings, and old fashioned cloth. For some reason, all these shops use monolined geometric scripts. Surely, neon strings are easier to manipulate when letterforms have simple shapes. My very first aim with Selfie was to make a font that would serve as a company to those self-shot pictures that have become so popular nowadays. However, the font turned into something more interesting: I realised it had enough potential to stand-alone. Selfie proves that geometry itself can be really attractive. In this font, elegance is not achieved with the already-known contrast between thicks and thins of calligraphy, but with the purity of form. Its curves were based in perfectly shaped circles which made the font easy to be used at different angles (some posters show it at a 24.7º angle) without having problems/deformities. In addition to its nice performance when used over photographies; the font can be a good option for packaging and wedding invitations.
OTF | 5 Fonts | JPEG Preview | 13.5 Mb RAR
The rounded forms found in Chennai have proven to be one of insigne’s more popular designs for web-based company logotypes. Now, insigne’s new superfamily Madurai takes its popular predecessor to a new level, offering a wide range of complementary fonts. Madurai removes Chennai’s rounded stems and then adjusts the character width to account for its reduction in geometry, resulting in a balanced sans-serif face with humanist touches that works well for extended text. The Madurai family has a full range of six weights from thin to black and includes Condensed and extended options for a total of 36 fonts. All members of the Madurai series include a wide variety of OpenType alternates. Madurai is equipped for complex professional typography, including alternates, small caps and plenty of alts, including “normalized” capitals and lowercase letters that include stems. The face also has a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Madurai also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Madurai supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. For your next project, explore the fantastic potential of Madurai.
OTF | 36 Fonts | JPEG Preview | 3.8 Mb RAR
MB NOIR is a 4 weight with italics font family that visually has different layers of style, at first glance its a modern clean geometry based face with some nice retro touches, it also has hints of the vintage about it, with a nod to the art deco style, with alternates and ligatures it gives a lot of scope for its uses and works very well at large and small sizes.
OTF | 8 Fonts | JPEG Preview | 5.5 Mb RAR
Corda – an elegant serif family with an easygoing, flowing ductus. It is semi-contrasted and even in the heavier styles appears light and breezy. Pleasant for reading and in display sizes very attractive. Corda comes in ten styles, in OpenType format and with extended language support for more than 40 languages. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.
OTF | 10 Fonts | JPEG Preview | 3.8 Mb RAR
OpenType users benefit from alternate lowercase characters, crossbar ligatures for common letter pairings, case sensitive quotes and smart apostrophes. Other goodies include optional old style numerals and a few clip-on swash elements, accessible by keyboard or supporting application’s OpenType glyph menu. Meritage Pro extends the character set to support Eastern European and Baltic languages.
OTF | 1 Font | JPEG Preview | 17.1 Mb RAR
Ames’ Roman is a stylish ‘New-Style’ Didone Roman family offered in divers weights and widths. It is designed to embody clarity combined with dramatic contrast between horizontal and vertical strokes. All typefaces include small capital forms, new and old style numerals (and indeed ‘small capital’ numerals for consistency). Ames’ is a Roman with the charm of the past and the spirit of the future! It’s ideal for headings and titles and anywhere else you need text of distinction.
OTF + TTF | 16 Fonts | JPEG Preview | 23.2 Mb RAR
Naturalia font was designed by Carlos Fabián Camargo in 2012 and suggests an ultra-narrow, spontaneous and winding handwriting lettering, it is great for composing short and striking sentences. His idea behind not only alludes asymmetrical shapes but simple glyphs that compact vertical and tight proportions between lower case and upper case letters. Indeed, lower case letters have ascendant and descendant strokes shorter than the “x” height and width is generally condensed, saving horizontal space and supporting monolinear amount of contrast between thick and thin strokes accompanied by their sans serif endings. Most importantly, its full and empty arrhythmic areas consolidated variety of thicknesses simulating strokes that seem naive letters freehand draw.This lack of homogeneity is very useful for ranking words and phrases in eye-catching graphic design advertising events, culture, fun and entertainment. In that sense, his spontaneity is enhanced by OpenType features, “Swash” and “Titling” with decorated letters that move your baseline up and down as carousel. Finally, typographical and naif fusion holding Naturalia concept generates galloping reading useful for ranking short and folk sentences with calibers: Light, Book, Bold and Black. Thus, each “Pro” version has 350 glyphs with some features OpenType Swash, titling and Standard Ligatures. Naturalia also works in software without full OpenType functionality, for that it is recommended to use the remaining options. In order to emphasize the degree of hierarchy and as a special and distinctive feature, the variable Naturalia Black was designed with roundness and slight deterioration contours and also coated frames with zigzag edges that give the impression of black paper cutouts with white letters.
OTF | 13 Fonts | JPEG Preview | 4.9 Mb RAR
Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational! It’s a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes. Comes in 4 delightful flavors—Light, Regular, Medium and Bold.
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR
Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. High contrast is the key feature of Bodoni Sans. To maintain this contrast over a wide range of sizes, three optical sizes were drawn: Standard, Display and Text. Contrast adjustments were made for each optical size for optimal performance. The Standard was designed for the mid range of 12 to 60pt, Display for 48pt and above, and Text for 6 to 12pt. Web/Digital use was also considered while developing Bodoni Sans. The fonts were tested as web formats, and examined on a variety of screens, to ensure seamless use in both print and digital applications.
OTF | 8 Fonts | JPEG Preview | 4.3 Mb RAR
Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce.
OTF | 10 Fonts | JPEG Preview | 4.9 Mb RAR
Hairline display fonts are elegant and subtle with touch of luxury. They are the Champagne of type. Ambassador Plus Family represents a set of classy typefaces best suitable for magazines, cosmetics packaging, advertising or any kind of fine and sensitive design.
OTF | 4 Fonts | JPEG Preview | 4.1 Mb RAR
Seravee was inspired by the significant style of Modern (Didone) Typography. The bolder they become, the more exquisite and stylish along with excellent legible at the same time. Designed by Stawix Ruecha, Bangkok based type designer. Rather than programing process, geometric forms as they were, each weight was well-crafted manually by hand as a result of humanistic sense. Through various weight ranges (Black, Bold, Regular and Light), to ensure that Seravee will perfectly cover all aspects of usability in every layout.
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR