Black Bear is a stylish angled monoline font family of twelve styles in six weights. Each font is fully loaded with OpenType stylistic and titling alternates to give the fonts a different feel and help with optics for smaller point sizes.
OTF | 12 Fonts | JPEG Preview | 3.8 Mb RAR
Blu is an innovative multilayered ribbon font which I developed at the Berlin Weissensee School of Art. Seemingly inspired by bicycle tires and paper streamers it fits many use cases brilliantly. Traditionally the use of multilayered fonts can be very clumsy, since you often need to duplicate textfields and then align them precisely on top of each other. Not so with Blu: It comes with an InDesign plugin for Windows and Mac which takes all the pain out of chromatic fonts.
OTF | 2 Fonts | JPEG Preview | 8 Mb RAR
Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura.
All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree. As a result, All Round Gothic became a new font family that covers between 1920s Bauhaus and contemporary design trends comprehensively and one of the most suitable family for any purpose such as text, headline, logo, poster, and animations thanks to clean and legible but soft and friendly letterforms.
All Round Gothic includes 5 weights and obliques corresponding to each weight. Why don't you try this family if you got a little bored with classic sans serifs.
TTF | 10 + 46 Fonts | JPEG Preview | 10.8 Mb RAR
Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family with asymmetrical serifs available in 8 weights. It features rich language support, 6 sets of figures and small caps.
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
Mymra Piano is a monoline serif Roman face, inspired by Charles Robinson lettering from the Art Nouveau period. The enchantment of some of the characters' flamboyant shapes has created an idea to rework the face and bring it to life as a contemporary typeface. Skeleton of the original characters have been used as a foundation for shaping glyphs. Bowed terminals and serifs helped to keep playful impressions of the entire typeface. The result of this work is a new typeface with Clarendonian, or Egyptian characteristics. Mymra Piano is ideally suited for display use in publications or advertising. Mymra Piano consists of six styles in Light, Regular and Bold weights ñ upright and true italics respectably. The typeface is released as OpenType single master with Western CP1252/ANSI character set.
OTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the evolution of invitation scripts from the classic commercial lettering of the 1930s to the ideas clearly visible in the greeting cards of the 1980s and 1990s. Most base characters are made up of a single stroke, with some of the strokes driven from the top down, and some from the bottom up, putting the emphasis on the casual but precise fluidity of the hand,? an emphasis magnified by the expert use of loops and swashes everywhere. The Platinus Script Pro family comes in two weights, each loaded with alternates and Latin-based langauge support, for more than 570 characters per font. Platinus Script Pro is great for product packaging, as well book covers, menus and greeting cards.
OTF | 1 Font | JPEG Preview | 15.7 Mb RAR
A modern sans serif typeface influenced by the work of the Haas type foundry. The concept was to create a neutral typeface that would demonstrate great clarity of form whilst been understated in its intended use and application. This extensive type family has 27 styles, 3 different widths, a full character set, manually edited kerning and Euro Symbol.
TTF | 54 Fonts | JPEG Preview | 4.4 Mb RAR
I got rhythm, I got music, I got my swirls, who could ask for anything more?
Periplus is quite an eccentric type, full of twists and nice oddities here and there.
It is an all-caps font with 2 variations for each letter and number, stored at upper- and lower-case slots. For added amusement, every letter got not 1 or 2, but 4 swash variations. One can be reached through the OpenType swash feature: just select the letter and hit the swash button. The other ones you will access through a glyphs palette. All of them are neatly organized with the ‘access all alternates’ feature. The font is yet equipped with some stylistic alternates and ornaments.
OTF + TTF | 1 Font | JPEG Preview | 5.9 Mb RAR
Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.
OTF | 4 Fonts | JPEG Preview | 4.8 Mb RAR
Millie is a stressed, geometric script who spends her days as industrial lettering and her nights paired with blackletter on the patches of motorcycle gangs. Millie was weighted by the conventions of broad nib calligraphy, inspired by the Milwaukee Tools logo, and finds herself best used in logos and titles. She was designed to be used on about a 20 degree angle, though she looks just fine on a level plane. By using opentype, many ligatures, and two sets of stylistic alternates, Millie was developed to look great with any string of letters. Access the first stylistic set for a disconnected script look, and the second set for even more connections and fluid script than standard. Millie Round takes the edge off a bit, giving the entire set a more approachable and versatile feel.
OTF | 12 Fonts | JPEG Preview | 3.9 Mb RAR
Inspired by both turn of the century neoclassical forms and Dutch Fleischmann Type, Garvis is designed to bring the character of those typefaces into more modern times by increasing the sturdiness of the forms without losing their character. At display sizes, this typeface displays the subtle inconsistencies commonly found in traditional metal type printing. This detail is designed to virtually disappear at text size so as not to become distracting while still giving the text a warm, human quality. Garvis includes support for all contemporary (and many historic) Latin orthographies as well as complete IPA support.
OTF | 4 Fonts | JPEG Preview | 4.5 Mb RAR
In 1903 faced with the welter of sans offered by ATF, Morris Fuller Benton designed News Gothic, a 20th century standard. In 1995 Tobias Frere-Jones studied drawings in the Smithsonian and started a redesign. Cyrus Highsmith reviewed News Gothic, and with the Font Bureau studio expanded it into Benton Sans, a far reaching new series, with matched weights, widths and performance well beyond the limits of the original; FB 1995-2012.
TTF + PFB | 26 Fonts | JPEG Preview | 6.3 Mb RAR
Posterizer Kg Inline, is basically the Inline version of Egyptian Slab Serif font Posterizer KG. Posterizer KG Inline is useful for diplomas, magazines, headlines and many other things.
OTF | 1 Font | JPEG Preview | 4.7 Mb RAR
Taking into consideration some complaints about lack of capital letters and deficiency of heavier weight styles, the Fermo typeface was redesigned to replace the existing font, dated 2002. New Fermo includes two subfamilies—Fermo TRF and Fermo-Uni TRF. Both fonts now consist of three weight styles—light, regular and bold—with significant contrast. During the updating process some minor glyph shape adjustments and changes have been made. Fermo TRF’s main distinctions from the previous font are the new capital letters and additional weight (light) style. Fermo-Uni TRF is a unicase font with an additional lightweight style. Fermo is recommended for use as a display font. In large size settings negative tracking is recommended.
OTF | 6 Fonts | JPEG Preview | 3.2 Mb RAR
Malleable Grotesque is a 7 weight, 15 font family which explores the soft nature of metals when exposed to high temperatures. This approach gave way to deep round ink traps, con-caved stems, and an overall rounded finish. These subtle nuances provides an overall approachability to a modular semi geometric based typeface.
OTF + TTF | 15 Fonts | JPEG Preview | 5.6 Mb RAR
Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it’s singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Sketchetik Fill – brother of famous Sketchetik – is a hand-drawn font in four styles: Light, Regular, Bold and Black. Sketchetik Fill is recommended for use as a display typeface.
OTF | 5 Fonts | JPEG Preview | 4 Mb RAR
Wild Pen is a handwritten typeface created through an experimental pen that’s made from recycled plastic bottle. Its spontaneous strokes are very free and allow presence of drops and blots of ink. The complete family consists of five different fonts, which have the same feeling, and allow mixing them to obtain a lifelike, handwritten text.
OpenType users may choose Wild Pen OT, which includes not just the five basic sets but also contains many additional alternative characters and some discretionary ligatures. Wild Pen OT is discreetly programmed to mix the five basic sets, randomly, and improve texts with the additional alternative characters—which have, in some cases, more than ten additional letters for each character. Wild Pen contains almost 1200 glyphs to cover many Latin languages (Western and Central European).
OTF | 6 Fonts | JPEG Preview | 3.1 Mb RAR
Brutal Type — is a new sans serif typeface with a distinct manly character. It’s based on the shapes of DIN font, however radically reconsidered. Despite the apparent simplicity and obviousness of forms, the Brutal Type design is original and fresh. This font is universal and familiar to all, emotional and catchy at the same time.
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR
Esquire’s appetite for variations on Stag continued with Stag Sans Round, commissioned in 2009 to freshen up their front section. The slight swelling in terminals, inherited from the blunt forms in the original, gives this family an organic quality unusual for a rounded sans, and the heaviest weights retain enough of their masculine power not to become too soft. Designed by Christian Schwartz and Ross Milne, 2009.
OTF | 12 Fonts | JPEG Preview | 5.6 Mb RAR
Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox Sans TRF includes six styles, in roman and italic, respectively. This subfamily’s lowercase letters have a genuine neo-grotesque shape construction without any decorative distractions. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.
TTF | 6 Fonts | JPEG Preview | 4.6 Mb RAR
DUAL is a full width sans-serif typeface with an experimental side. Its straight lines and 90 degree angles give it a very geometric feel without hindering its legibility. There are three weights available right now, 100, 300 and 600. An additional 3 weights will be released later this year to complete the family (200, 400 and 500). The idea behind DUAL has been brewing for quite some time, and though there has been many “experimental” released in the past, it does have its unique features. For starters, it is a fully usable and legible font in its original state. Also, its 251 alternate glyphs and 10 stylistic sets are, of course, its main attraction making DUAL a very versatile typeface for any user, from the casual designer to the hardcore artist. Finally, it has extensive additional language support for the Americas and parts of Europe. With its 563 glyphs, It’s actually two fonts in one, and thus the name DUAL. Enjoy!
OTF | 3 Fonts | JPEG Preview | 4.8 Mb RAR