Modernica is an excellent tool that provides a large range of possibilities in design work. It is a sans serif font that contains eight weights plus matching italics. All Modernica typefaces include a set of small caps, ligatures, contextual alternates, modern and old style figures, superscript and subscript, numerators and denominators, among other OpenType features. Modernica is the extension of the Mazurquica family, a condensed grotesque font created to be used in titles looking for impact. Based on the Mazurquica structure, it was designed as a new font for both headlines and continuous text. Modernica seeks to go beyond the grotesque style, — a style that perhaps looks coarse on occasions, maybe for its excessive geometric feel — and instigate a more fluid and friendly structure while remaining solid in its use.
OTF | 16 Fonts | JPEG Preview | 4.2 Mb RAR
Rock and Cola’s design is clearly inspired by the sinuous shapes of the world’s most famous drink’s logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!
OTF | 7 Fonts | JPEG Preview | 4.2 Mb RAR
Newslab is a slab serif font – designed by Daniel Hernández –which is the result of the combination of three different typefaces: Andes, Sánchez and Roble. Harmony among every feature of the typefaces makes Newslab a neutral but imposing font. The Newslab font family consists of 16 variants and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, etc.
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR
Peaches and Cream is a bold brush style script family of three weights, ornament set and an all caps font. Peaches and Cream is equipped with plenty of OpenType features: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Combine Peaches and Cream with Peaches and Cream Ornaments and Peaches and Cream Caps to complete your designs. Peaches and Cream is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling.
OTF | 5 Fonts | JPEG Preview | 13.9 Mb RAR
Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.
OTF | 12 Fonts | JPEG Preview | 12.2 Mb RAR
In a Jar is a display typeface based in hand lettering. Inspired by the grandmother’s kitchen, its colors, forms, smells and the new way for rescue this old things. Designed for use in short text and big sizes is perfect for brand design, headlines, labels, greetings cards and all kind of things related to kitchen and foods. In a Jar is a sweet little family that include alternates, compounds words, ligatures plus a serie of dingbats and ornaments very cute to compliment and accentuate the handmade design.
Try and enjoy all fun in a jar! Designed by Coto Mendoza with technical support of Luciano Vergara.
OTF | 6 Fonts | JPEG Preview | 4.3 Mb RAR
A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 4.9 Mb RAR
A Bolyar was a member of the highest rank of the feudal Bulgaria - second only to the ruling Tsar (king). This font is closely related to its name origin - we believe we've created a royal, majestic and elegant typeface. We've developed a wide set of alternates, swashes, ligatures and ornaments so that this font will be able to face your needs from simple body type to a strong dominating headline or even logo. We do enjoy this new font and we believe it would be very useful to a large part of package and label designers as it would be an excellent choice for everyone designing a letterhead or a newspaper headline.
OTF | 1 Font | JPEG Preview | 5.6 Mb RAR
Gluten is an experimental font family designed by Carlos Fabian Camargo. It includes irregular shadows to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.
OTF | 7 Fonts | JPEG Preview | 5 Mb RAR
Originally designed in 1996 by Matthew Carter and hand-tuned for the screen by Tom Rickner. The Georgia typeface family received a major update in 2010 by Monotype, The Font Bureau and Matthew Carter. Georgia is the serif companion to the sans serif screen font, Verdana. It was designed specifically to address the challenges of on-screen display with elegant yet sturdy and open forms. If you must have one serif face for reading on a computer, then you've found the best one right here. The original Georgia family included four fonts: regular, italic, bold and bold italic. The new and expanded Georgia Pro family contains 20 fonts in total. The Georgia Pro and Georgia Pro Condensed families each contain 10 fonts: Light, Regular, Semibold, Bold and Black (each with matching italic styles). Georgia Pro includes a variety of advanced typographic features including true small capitals, ligatures, fractions, old style figures, lining tabular figures and lining proportional figures. An OpenType-savvy application is required to access these typographic features.
TTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Ethnocentric, a robot-friendly futurefont originally created in 1999 has been rebuilt and expanded: more languages, more symbols, no more ugly Q, greatly improved M and W, fractions, ordinals, new kerning, new accents, better proportions, six weights + italics, even more futuristic.
OTF | 12 Fonts | JPEG Preview | 4 Mb RAR
Graphic designers with a lust for lettering are constantly seeking scripts balanced neatly on the sweet spot suited for exuberant editorial work and messages of cheer. Neither frivolous nor strict. My typeface, Gioviale, satisfies that need. Your work may call for a script that is handsome without being overly formal, that is merry, playful, and, like a good Italian pastry dough, hasn't been overly handled until it is left stiff and flat. Use Gioviale to create something tasty, al dente, a touch ornate yet fluent and full of life. Its versatility is exemplified in its greater readability at small sizes compared to other scripts, as well as the included alternates and swashes. Scripts with a hand-lettered look often take on one of two personalities. Some are formal, with heavy flourishes that threaten to sacrifice readability. They are regal, make a statement, yet are so meticulously constructed that they seem chiseled in stone and inflexible. But, oh how exquisitely beautiful they can be. What’s the usual alternative? Italic text faces. Though modern and readable, with the little twist that italics carry, they can have a manufactured appearance, a mass-market profile that robs your work of the personable quirkiness of the handmade and unique. But, still, they cast a respectable, clean, and professional profile. What inhabits the space between these, an uncompromising tool that, in your hands, conveys conviviality, grace, and spunk? Gioviale glides in to fill that formerly scanty typographical niche, a hybrid of an italic text face and a script, flowing with flair and elegance, and, somehow, carrying just a hint of tailored and clean, structured underpinnings. It reveals that elegance needn't be serious, just the result of serious craftsmanship. Indeed, Gioviale was inspired by a simple and spontaneous burst of joy in my own craft. Conceptually, my process was reflected precisely in the outcome, perhaps because it mirrors my own personality in so many ways. Despite the due diligence required, this typeface came more easily and naturally to me than virtually any other I've created. The heart of it burst onto the page breathtakingly fast compared to my other typefaces. I wanted the look of a roman italic without pausing to build a roman counterpart (perhaps I'll design one in the future). I looked to the Italian Didones, popularized by Didot and known for their very high contrast thin thins and thick thicks. True to its nature, Gioviale is a less serious interpretation of the Didones, and its uppercase letters are a departure from classic precursors. Gioviale includes a User’s Guide, 1008 glyphs, an entire alternate set of swash caps, 20 ornaments, 20 discretionary ligatures, and an unusually high number of swashes (300), which include a standard uppercase set for more traditional text settings, and a swash uppercase set which are even more flourished. Why not? To joy!
OTF | 2 Fonts | JPEG Preview | 5.1 Mb RAR
Eterea is a formal font inspired in the monumental inscriptions of classic Rome, but not strictly sticking to the ancient roman typographic characteristics. Its unique look is the result of mixing diverse typographic styles, but mostly having traces from the 16th century transitional style. It bears a big difference of proportion between upper and lower case, additionally to the upper case having much more ornamental traces. Eterea has four different flavors of capitals which change very slightly in the cursive versions. In the italic versions, the lower case (actually small capitals) changes substantially its characters to make its reading more flowing and is not simply an inclined version of the letters. Eterea is a very expressive font, ideal for tittles and short texts of sober and elegant appearance.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Fiesole was inspired by calligraphic models; it is a bookface font family to be used for text, display and caption. Fiesole has three different lengths of items (ascenders-descenders). Old style figures have been included in the fonts. Spacing of Small Caps has been adjusted to obtain good legibility and integrity with Capitals and lower cases. They include also CE languages, swashes, small caps, ligatures, discretionary ligatures, alternates, old style figures and case sensitive forms.
OTF | 17 Fonts | JPEG Preview | 5 Mb RAR
Dobra is a redesign of the previous released Dione. Dobra is a very geometric and robust sans typeface, specially suited for magazines and newspapers, but it works great as a corporate typeface.
TTF | 10 Fonts | JPEG Preview | 4.7 Mb RAR