YWFT Burls comes at you like the late-60s Minnesota Vikings defensive line. Burly, thick, massive, manly, and tough with retro thickness and fifty pounds of lard-enriched meat sauce.
OTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. In a fountain, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . Spread thoroughly the page, serve and enjoy.
OTF | 24 Fonts | JPEG Preview | 6.3 Mb RAR
Inspired by the art of sign painting, Sideshow is the ideal display font for announcing a big event, sale or anything important. This display font comes with an excellent assortment of 40 special graphic-glyphs that won't be ignored.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Golos is an sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.
OTF | 2 Fonts | JPEG Preview | 6 Mb RAR
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Fairly condensed, slightly contrasts and particularly terminals, Klaus FY offers a good legibility in all text sizes. Its broken ductus reminds of blackletter shapes and gives this family a very singular and modern style.
OTF | 10 Fonts | JPEG Preview | 7.6 Mb RAR
Ideal for magazines, posters or flyers, Inlove is a modern take of Ariel Di Lisio’s passion for geometric and very contrasted typefaces. Because the strong influence over his work, Ariel was invited during 2009 to be part of the Herb Lubalin Exhibition at New York. Designed by Ariel Di Lisio and digitized by Ale Paul.
OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR
Inspired by an afternoon bike ride through downtown Los Angeles Awning Display is approachable and easy to read from a distance. It captures the charm of signs I notice painted on awnings. Awning Display will add the perfect personal touch to your next project. This bold uppercase alphabet is perfect for grabbing attention in any storefront or window display.
OTF | 1 Font | JPEG Preview | 6.1 Mb RAR
Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and thier extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects.
OTF | 19 Fonts | JPEG Preview | 3.3 Mb RAR
Back in January 2012, a chubby, uprightish baseball script called Streetscript made it into the MyFonts Rising Stars newsletter. Since then, it has been used for all manner of applications, far beyond the range of uses I'd anticipated. However, one thing seemed to keep cropping up. It seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said). All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
Aaron Script is highly legible Script typeface, a simply beautiful, classic, elegant and fun script font. With almost 400 glyphs and and 190 alternative characters, contain with opentype features. Stylistic alternates, Ornament, swash and more. can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage,
news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
OTF | 1 Font | JPEG Preview | 3.6 Mb RAR
The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like “M” and “l”; the former seemed to be squeezed into the same width of all letters and the second one appeared way too stretched. Despite - or perhaps because of - the impression of the typewriter it is still popular with Graphic Designers. The Ingrid Mono font family with a high range of glyphs and symbols has that special appearance.
OTF | 8 Fonts | JPEG Preview | 3.5 Mb RAR
NOh CARBONE is a serif typeface with more than 250 glyphs, including Capitals, Small Letters, Numbers & Special glyphs and Punctuation. Appropriate for medium and large formats, its high contrast, strong features & aggressive and unconventional diagonal endow it with great elegance and give it distinction over other types of the same style. This typeface is adapted to different topics and applications, is easily modifiable and capable of generating a clear and direct message.
OTF | 1 Font | JPEG Preview | 4.9 Mb RAR
Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.
OTF | 3 Fonts | JPEG Preview | 3.2 Mb RAR
We're really happy to launch our first font 'Sickamore'. This is a bold marker-pen style display font, great for headers, logos and attention-grabbing words or phrases. The font is all CAPS however does include various alternate capitals in the lower case form. Also included are numerals, punctuation and currency glyphs.
TTF | 1 Font | JPEG Preview | 5 Mb RAR
Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. High contrast is the key feature of Bodoni Sans. To maintain this contrast over a wide range of sizes, three optical sizes were drawn: Standard, Display and Text. Contrast adjustments were made for each optical size for optimal performance. The Standard was designed for the mid range of 12 to 60pt, Display for 48pt and above, and Text for 6 to 12pt. Web/Digital use was also considered while developing Bodoni Sans. The fonts were tested as web formats, and examined on a variety of screens, to ensure seamless use in both print and digital applications.
OTF | 4 Fonts | JPEG Preview | 4.7 Mb RAR
Soft and round are the words that best describe the Co font family. Its underlying geometry structures the font design and allows it to have an even rhythm. The harmony between organic and geometric shapes makes Co Headline uniquely appealing for display and titling where special expression is required. Co Text carries even more organic and fluid design elements than its headline cousin. To assist with legibility and functionality, features have been tightened and its basic proportions are less geometric in their appearance. The Co font family was created in collaboration with North Design and the Standard Edition includes a complete Latin A Extended character set. Please see the Corporate Edition of the font for an extended character set with Greek and Cyrillic scripts. Co Arabic is also available.
TTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.
OTF | 20 Fonts | JPEG Preview | 4.7 Mb RAR
CA Recape is a weird and beautiful vintage script family with two styles. It’s an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling. The basic inspiration for CA Recape comes from American 50s lettering. But instead of reviving one special style, it is a kind of “Best of”-Remix. It takes the weirdest and most beautiful letterforms of a weird and beautiful time and merges them into one font. The outcome is a charming bastard. Guess what it looks like: Weird and beautiful. CA Recape is packed with a lot of OpenType features like underlining swashes, Stylistic, Discretionary, Titling and Contextual Alternates and Ligatures for use in OpenType savvy programs. It also comes with some nice Ornaments. Derived from the original typeface, Cape Arcona Type Foundry also offers a Raw style that has the distressed look of a poorly printed raw font.
OTF | 2 Fonts | JPEG Preview | 7.1 Mb RAR