Montague Script takes its name from a small hilltown of western Massachusetts rich in culture and history. I lived in this beloved community for a number of years and it’s where I first began my study of calligraphy and lettering. While most brush scripts take their cue from mid-twentieth century samples, Montague Script is a fresh, contemporary alternative. It comes directly from lettering written with a #3 sable brush on smooth vellum and is digitized with the same sensibility a lettering artist writes with. Montague reflects a dynamic interplay between form and rhythm not usually associated with type. Words suggest a baseline, yet are not bound by it. Beginnings, endings, alternates and ligatures come in as needed while you type. Many more alternates are available in the glyph palette of most current graphic software. Exuberant swash versions of upper and lowercase letters, as well as ligatures can be accessed through both the type and glyph palettes. Montague Script is a natural for advertising, point of purchase displays, packaging and logo design, cards, invitations, journals and much more. You will be delighted at how well it can dress up a project and how easily it sets.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Adagio Serif Script is an experimental vertical variety of a normal sans version, with the characteristics of handwriting. It has 9 weights and like the rest of Adagio family fonts over 400 characters.Thanks to it’s calligraphic feeling, Sans script version is a great compliment for the rest of the forms of Adagio_Family.
OTF | 9 Fonts | JPEG Preview | 5.1 Mb RAR
MonsterHand is our first Ruling Pen made face. This tool is usually used in calligraphy for expressive lettering. Giuseppe Salerno’s hand has been converted into this crazy typeface. This font includes also a set of icons. Enjoy it!
OTF | 1 Font | JPEG Preview | 9.8 Mb RAR
This font was originally designed side by side with my first attempt at a semi serif typeface in 1997. The design made it through to full development only a couple years ago when our studio decided to complete the regular weight for a local project here in Bangkok. The face is a traditional serif with narrow stem (somewhat like sans serif) and industrial stroke. A good mix of Bangkok character where you can find Wat (old buddhist temple) next to futuristic high rise. This font was shown in Klingspor-Museum Offenbach, Germany, at a Typographic & Type Design exhibition Schrift in Form 3-26 September 2008.
OTF | 3 Fonts | JPEG Preview | 4.8 Mb RAR
Bellas Artes is what happens when the brush of Angel Koziupa and the technical expertise of Alejandro Paul go face to face with the Art Deco aesthetic. The recognizable Koziupa curves become players of a game of halves, where there is no such thing as a better half, but both sides complete each other like in that perfect romance you will never forget. Bellas Artes is an excellent choice not only for packaging design, but also for book and music covers meant for the feminine demographic, collateral of classical taste, and of course pre-WWII visuals.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Barricada is a loud-voiced typeface with small counters that gives an interesting strong weight. Moreover, it has a solid structure providing strength. Its curved serifs and swashes give a touch of softness and make the letters a little playful. This is the right option to set a fresh and solid text.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Bakery Script is the Argentine duo’s nod to the high spirits of the 1970s. Angel Koziupa used his ever popular wild brush to draw the outline version, and Alejandro Paul refined it, expanded it, then extrapolated the solid version. While the outline version makes the letters seem like they're growing out of each other’s shadows, the solid version presents a wilder version of the casual dancing letters Koziupa’s brush has entertained us with during recent years. Sharp in places, perfectly curved in others, and with many letter alternates and ligatures included within the fonts, Bakery Script would be at home in packaging design, outdoors and adventure literature, and everywhere a display design needs that sharp but friendly touch to reach its goal.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Argenta is handwritten and fresh. The casual spirit of this face is evident, but complemented by very specific typographic details. A playful script with an immensely useful array of alternate characters. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.
OTF + TTF | 1 Font | JPEG Preview | 1.1 Mb RAR
Amorinda is a connected script that manages to be wild and disciplined at the same time. It can scream wildly within a design or smoothly blend in to make it more human. With its versatile character and a complete set of alternates, Amorinda is the perfect display face for everything from product branding to signage. This 2007 version of Amorinda is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as Adobe Creative Suite.
OTF + TTF | 2 Fonts | JPEG Preview | 1.5 Mb RAR
Decima is a new display face designed in 2008. The designer’s inspiration was a previous creation, PR41, a monoline condensed typeface developed for use on instrument panels. This time, the intention was to create a typeface with a more modern, yet soft, look while retaining PR41 characteristics. Decima is a condensed geometric San Serif, built in three weights and six styles. The letterforms in roman style are techno in appearance, while italics remind one of handwriting (which is evident in lowercase g, y, z whose loops resemble real italics). In bold weight, the letters retained the condensed matrix of regular weight letterforms, making it ideal for titling usage. Ink traps have been added to some letters to aid readability. Decima is released as OpenType single master with a Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 4.3 Mb RAR
Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.
OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR
Innervers Gothic is a modern, geometric sans serif typeface. It is designed with a very low stroke contrast. The initial design inspiration was in the shape of superellipse. The family consists of six weights ranging from 10 to 60: 10 Ultra Light, 20 Thin, 30 Light, 40 Regular, 50 Medium and 60 Bold. It is a display typeface, well suited for headlines, logo, advertising etc. Thanks to its tall x-height and its wide and geometric forms of letters, it is also very readable in small text sizes. Opentype features include standard ligatures, fractions, proportional/tabular figures, numerator and denominator numbers, as well as superscript and subscript numbers.
OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR
Gelato Script is a smooth-flowing typeface with an air of familiarity. Influenced by both formal scripts and mid-Twentieth Century hand lettering. The power of OpenType is used with precision in the Contextual Alternate feature to make sure letters connect seamlessly, t’s cross where they can and swashes don't crash into neighboring glyphs. 781 glyphs make up this font, which is capable of speaking in many different languages. Alternate forms are grouped into stylistic sets to make it easy to change the mood of the text. For example, ss01 makes droopable letters drop below the baseline to break it up a little if required. I recommend using it sparingly, one glyph at a time, but if you do enable it for a whole chunk of text, the clever OpenType programming ensures that it doesn't go overboard. Sets 2, 3 and 4 bring about alternate forms of S, s, B and Q. Set 5 changes AE and OE to some perhaps controversial Upper/lowercase ligatures. Engage ss06 for the underline feature. After a word, simply type two or more underscores and a line extends backwards under the word you just typed. Don't worry if you have to break for a descender, the OpenType programming will take care of making sure it connects properly to the preceding character. Sets 7 and 8 are for alternate ampersands, and ss09 swaps the script r for a regular shaped r.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa Beck. From a few letters of that model, Lalola became an original design and a single font, comprising all the necessary characters for languages based on the Latin alphabet. You can ‘say it loud’ with Lalola, either in lower or uppercase, yet with wit and a unique, distinctive friendly voice. Lalola received already two mentions, the Typefacts’ Best Typefaces of 2013 and the prestigious TDC 2014 Certificate of Excellence.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.
OTF | 1 Font | JPEG Preview | 1.8 Mb RAR
Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky, and juxtaposed letterforms provide a deviation from traditional calligraphy-inspired typefaces. Matchmaker features smart contextual alternates and swashes that add to the front and beginnings of letters (try using + + + on the end and = = = on the beginning of lowercase letters to see the feature in action). Also watch as letters on the end of words magically receive a shortened tail.
OTF | 1 Font | JPEG Preview | 2.9 Mb RAR
Meet Me In Brooklyn is a fun and friendly hand painted font. This typeface is unique and will brighten up any of your designs. Meet Me In Brooklyn was creating with a mix of water and acrylic paint giving it a softer wet brush feel. Capitals and lower case letters work exceptionally well together. This font is very playful but legible.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Enamel Brush is a caricature of a 1955 font called Catalina by Emil Klumpp. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.
TTF | 1 Font | JPEG Preview | 7.6 Mb RAR
Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.
OTF | 10 Fonts | JPEG Preview | 5.1 Mb RAR