Callista (from the Greek for “most beautiful”) is a fat cursive typeface, inspired by the works of Francois Boltana in the early 1970s and those of Milka Peykova in late 1970s. With its Full Latin and Cyrillic support, Callista is a perfect choice for short headlines and logotype design.
OTF | 1 Font | JPEG Preview | 6 Mb RAR
Ever tried to write a Sans-Serif by hand? We did it Supernett! More than 4700 glyphs per style to pursue one goal: let the font look real hand-made, let equal glyphs look different to each other.
OTF | 6 Fonts | JPEG Preview | 37.7 Mb RAR
Booster Next FY, our friendly round sans-serif typeface, comes out with six new weights, from Thin to Black. Due to its large width, this family offers a good legibility in all text sizes for branding, editorial designs but it’s also a perfect typeface for Web or other Screen Applications. To try it is to love it!
OTF | 6 Fonts | JPEG Preview | 9 Mb RAR
Mishka is a classy upright script, closely related to Emil Bertell’s recent Barber and Pepita Script releases. Mishka has clear letterforms yet plenty of options for more decorative custom headlines. Turn on Swash, Stylistic Alternates or Contextual Alternates in any Opentype savvy program, or pick any of the extra alternates from the glyph panel. Mishka’s Small Caps help to maintain legibility even in small sizes. Mishka Ornaments is a set of 90 typographical ornaments designed to work perfectly with the script font. For the best price purchase Mishka in packs with other Fenotype fonts.
OTF | 3 Fonts | JPEG Preview | 4.1 Mb RAR
LeanO FY, an original Slab-serif with asymmetrical and slightly leaned serifs. This unconventional typeface is developed in 5 styles. While the extreme weights like Thin and Black are perfectly adapted for display use, the regular weight presents a good legibility in text sizes.
OTF | 5 Fonts | JPEG Preview | 6.2 Mb RAR
Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces. A lot of changes were made, the whole typeface is now softer and has less rough edges, the time it took to mature made it possible to achieve an entirelly new and distinct flavour from the original Port, giving away the rough edges from Port and giving place to the soft transitions and curved connections between the stems and serifs of Port Vintage. Port Vintage melts the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways.
OTF | 10 Fonts | JPEG Preview | 12.9 Mb RAR
YWFT Burls comes at you like the late-60s Minnesota Vikings defensive line. Burly, thick, massive, manly, and tough with retro thickness and fifty pounds of lard-enriched meat sauce.
OTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Introducing the innovative and original Josep Patau’s new recipe, salsa and wild-type master. In a fountain, combine a bit of slightly outdated British slab types from the late Victorian period. If you find Vincent Figgins’s variety, do not discard. You'll find plenty to choose from in his specimens, some of then with unexpected vitality an enviably condition, despite it’s age. As aging wine, they had improve their quality with time. Cut Didones into thin slices and add. In a blender, whisk the strength of these Slab serif with highly contrasted strokes from Bodoni or Didot’s neoclassical types. Adjust the mix to get a sweeter or spicier taste, but do not forget to emphasize the contrast to avoid the dressing off. On the page, set the wide variety of weights as your menu demands. If you want to feed fill the stomach of the hungriest holders, use Bridone Titling as main course. If you are serving a traditional menu, starter, main and dessert, then simmer a combination of weights and sizes according to your space. It will not disappoint, much less your guests . Spread thoroughly the page, serve and enjoy.
OTF | 24 Fonts | JPEG Preview | 6.3 Mb RAR
Inspired by the art of sign painting, Sideshow is the ideal display font for announcing a big event, sale or anything important. This display font comes with an excellent assortment of 40 special graphic-glyphs that won't be ignored.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Golos is an sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.
OTF | 2 Fonts | JPEG Preview | 6 Mb RAR
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Fairly condensed, slightly contrasts and particularly terminals, Klaus FY offers a good legibility in all text sizes. Its broken ductus reminds of blackletter shapes and gives this family a very singular and modern style.
OTF | 10 Fonts | JPEG Preview | 7.6 Mb RAR
Ideal for magazines, posters or flyers, Inlove is a modern take of Ariel Di Lisio’s passion for geometric and very contrasted typefaces. Because the strong influence over his work, Ariel was invited during 2009 to be part of the Herb Lubalin Exhibition at New York. Designed by Ariel Di Lisio and digitized by Ale Paul.
OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR
Inspired by an afternoon bike ride through downtown Los Angeles Awning Display is approachable and easy to read from a distance. It captures the charm of signs I notice painted on awnings. Awning Display will add the perfect personal touch to your next project. This bold uppercase alphabet is perfect for grabbing attention in any storefront or window display.
OTF | 1 Font | JPEG Preview | 6.1 Mb RAR
Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and thier extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects.
OTF | 19 Fonts | JPEG Preview | 3.3 Mb RAR
Back in January 2012, a chubby, uprightish baseball script called Streetscript made it into the MyFonts Rising Stars newsletter. Since then, it has been used for all manner of applications, far beyond the range of uses I'd anticipated. However, one thing seemed to keep cropping up. It seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said). All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
Aaron Script is highly legible Script typeface, a simply beautiful, classic, elegant and fun script font. With almost 400 glyphs and and 190 alternative characters, contain with opentype features. Stylistic alternates, Ornament, swash and more. can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage,
news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
OTF | 1 Font | JPEG Preview | 3.6 Mb RAR
The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like “M” and “l”; the former seemed to be squeezed into the same width of all letters and the second one appeared way too stretched. Despite - or perhaps because of - the impression of the typewriter it is still popular with Graphic Designers. The Ingrid Mono font family with a high range of glyphs and symbols has that special appearance.
OTF | 8 Fonts | JPEG Preview | 3.5 Mb RAR
NOh CARBONE is a serif typeface with more than 250 glyphs, including Capitals, Small Letters, Numbers & Special glyphs and Punctuation. Appropriate for medium and large formats, its high contrast, strong features & aggressive and unconventional diagonal endow it with great elegance and give it distinction over other types of the same style. This typeface is adapted to different topics and applications, is easily modifiable and capable of generating a clear and direct message.
OTF | 1 Font | JPEG Preview | 4.9 Mb RAR
Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.
OTF | 3 Fonts | JPEG Preview | 3.2 Mb RAR