A Bolyar was a member of the highest rank of the feudal Bulgaria - second only to the ruling Tsar (king). This font is closely related to its name origin - we believe we've created a royal, majestic and elegant typeface. We've developed a wide set of alternates, swashes, ligatures and ornaments so that this font will be able to face your needs from simple body type to a strong dominating headline or even logo. We do enjoy this new font and we believe it would be very useful to a large part of package and label designers as it would be an excellent choice for everyone designing a letterhead or a newspaper headline.
OTF | 1 Font | JPEG Preview | 5.6 Mb RAR
Gluten is an experimental font family designed by Carlos Fabian Camargo. It includes irregular shadows to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.
OTF | 7 Fonts | JPEG Preview | 5 Mb RAR
Originally designed in 1996 by Matthew Carter and hand-tuned for the screen by Tom Rickner. The Georgia typeface family received a major update in 2010 by Monotype, The Font Bureau and Matthew Carter. Georgia is the serif companion to the sans serif screen font, Verdana. It was designed specifically to address the challenges of on-screen display with elegant yet sturdy and open forms. If you must have one serif face for reading on a computer, then you've found the best one right here. The original Georgia family included four fonts: regular, italic, bold and bold italic. The new and expanded Georgia Pro family contains 20 fonts in total. The Georgia Pro and Georgia Pro Condensed families each contain 10 fonts: Light, Regular, Semibold, Bold and Black (each with matching italic styles). Georgia Pro includes a variety of advanced typographic features including true small capitals, ligatures, fractions, old style figures, lining tabular figures and lining proportional figures. An OpenType-savvy application is required to access these typographic features.
TTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Ethnocentric, a robot-friendly futurefont originally created in 1999 has been rebuilt and expanded: more languages, more symbols, no more ugly Q, greatly improved M and W, fractions, ordinals, new kerning, new accents, better proportions, six weights + italics, even more futuristic.
OTF | 12 Fonts | JPEG Preview | 4 Mb RAR
Graphic designers with a lust for lettering are constantly seeking scripts balanced neatly on the sweet spot suited for exuberant editorial work and messages of cheer. Neither frivolous nor strict. My typeface, Gioviale, satisfies that need. Your work may call for a script that is handsome without being overly formal, that is merry, playful, and, like a good Italian pastry dough, hasn't been overly handled until it is left stiff and flat. Use Gioviale to create something tasty, al dente, a touch ornate yet fluent and full of life. Its versatility is exemplified in its greater readability at small sizes compared to other scripts, as well as the included alternates and swashes. Scripts with a hand-lettered look often take on one of two personalities. Some are formal, with heavy flourishes that threaten to sacrifice readability. They are regal, make a statement, yet are so meticulously constructed that they seem chiseled in stone and inflexible. But, oh how exquisitely beautiful they can be. What’s the usual alternative? Italic text faces. Though modern and readable, with the little twist that italics carry, they can have a manufactured appearance, a mass-market profile that robs your work of the personable quirkiness of the handmade and unique. But, still, they cast a respectable, clean, and professional profile. What inhabits the space between these, an uncompromising tool that, in your hands, conveys conviviality, grace, and spunk? Gioviale glides in to fill that formerly scanty typographical niche, a hybrid of an italic text face and a script, flowing with flair and elegance, and, somehow, carrying just a hint of tailored and clean, structured underpinnings. It reveals that elegance needn't be serious, just the result of serious craftsmanship. Indeed, Gioviale was inspired by a simple and spontaneous burst of joy in my own craft. Conceptually, my process was reflected precisely in the outcome, perhaps because it mirrors my own personality in so many ways. Despite the due diligence required, this typeface came more easily and naturally to me than virtually any other I've created. The heart of it burst onto the page breathtakingly fast compared to my other typefaces. I wanted the look of a roman italic without pausing to build a roman counterpart (perhaps I'll design one in the future). I looked to the Italian Didones, popularized by Didot and known for their very high contrast thin thins and thick thicks. True to its nature, Gioviale is a less serious interpretation of the Didones, and its uppercase letters are a departure from classic precursors. Gioviale includes a User’s Guide, 1008 glyphs, an entire alternate set of swash caps, 20 ornaments, 20 discretionary ligatures, and an unusually high number of swashes (300), which include a standard uppercase set for more traditional text settings, and a swash uppercase set which are even more flourished. Why not? To joy!
OTF | 2 Fonts | JPEG Preview | 5.1 Mb RAR
Eterea is a formal font inspired in the monumental inscriptions of classic Rome, but not strictly sticking to the ancient roman typographic characteristics. Its unique look is the result of mixing diverse typographic styles, but mostly having traces from the 16th century transitional style. It bears a big difference of proportion between upper and lower case, additionally to the upper case having much more ornamental traces. Eterea has four different flavors of capitals which change very slightly in the cursive versions. In the italic versions, the lower case (actually small capitals) changes substantially its characters to make its reading more flowing and is not simply an inclined version of the letters. Eterea is a very expressive font, ideal for tittles and short texts of sober and elegant appearance.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Fiesole was inspired by calligraphic models; it is a bookface font family to be used for text, display and caption. Fiesole has three different lengths of items (ascenders-descenders). Old style figures have been included in the fonts. Spacing of Small Caps has been adjusted to obtain good legibility and integrity with Capitals and lower cases. They include also CE languages, swashes, small caps, ligatures, discretionary ligatures, alternates, old style figures and case sensitive forms.
OTF | 17 Fonts | JPEG Preview | 5 Mb RAR
Dobra is a redesign of the previous released Dione. Dobra is a very geometric and robust sans typeface, specially suited for magazines and newspapers, but it works great as a corporate typeface.
TTF | 10 Fonts | JPEG Preview | 4.7 Mb RAR
In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.
OTF | 12 Fonts | JPEG Preview | 4.2 Mb RAR
The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling, Eagle Bold, the symbol of American recovery, drawn in 1933 for the National Recovery Association. Font Bureau Eagle was started in 1989 for Publish. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series.
TTF | 4 Fonts | JPEG Preview | 5.1 Mb RAR
Loosely inspired by the signage typography of early-twentieth-century Danish desinger Knud V. Engelhardt and deeply rooted the Danish typography tradition, Ovink is a typeface optimized for legibility for distances both near and far. Named after the legibility researcher Gerrit Willem Ovink, the typeface is informed by experimental legibility investsigations of distance and time thresholds—contributing to Ovink’s signature two-storey ‘a’, rounded-spine ‘s’, long-tailed ‘j’ and ‘t’, and open-aperture ‘e’, among other optimizations. These characteristics make Ovink an exceptional choice for distance applications such as signage, but the high regularity of the letters, as well as Ovink’s wide span of weights and glyph variations, also make Ovink highly suitable for running text. Ovink was created by designer, researcher, and lecturer Sofie Beier, who also designed Ovink’s bestselling predecessor, Engel.
OTF | 18 Fonts | JPEG Preview | 4.4 Mb RAR
Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.
OTF | 4 Fonts | JPEG Preview | 4.4 Mb RAR
Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms. Also it is legible in prints and on screens. The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics. The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions. If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.
OTF | 14 Fonts | JPEG Preview | 4.2 Mb RAR
Briko is a legible hand-crafted type family that comes in two weights. Its little bit bumpy outline and soft edges give it friendly feelings. There are two versions of Briko Family; Briko and Briko Rough(textured). Perfect for a header for an article, posters or for anything needing a legible and neat hand-written type family.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR