AZ Cupcakes is a special Font for Cupcakes bakery Designs and for all Fans of Cupcakes. It comes in Creamy Design an with many sweet and sugar Graphics.
OTF | 5 Fonts | JPEG Preview | 4.7 Mb RAR
Mustang is a powerfully expressive brush font that combines an edgy urban aesthetic with a smooth feminine flow. Some have suggested that Mustang is romantic. Some say it has something to do with speed or freedom. While precisely what Mustang expresses is up to debate, there’s no doubt that it’s expressing it with intensity. The style was born in my high school years, when I would wreck my notebooks with multiple layers of graffiti tags which would start in the margins and then creep in to cover the entire page. I developed a sensibility towards a very fast, expressive use of my hand, which later easily and naturally translated into brush. I used this style typographically on several projects throughout the years, and even turned it into a signature illustration style. Mustang is the second font, after Streetbrush, to use this brushwork as its inspiration. Mustang will be especially evocative at large sizes, where the details and sharpness of the shapes really come to life. It also holds together well for use as body copy, but may lose some of its aesthetic integrity at really small sizes.
OTF | 1 Font | JPEG Preview | 1.3 Mb RAR
Hailing its roots from the much-prized Modern Didot and Bodoni families of the late 19th century, Pyes Pa re-introduces the intuition of calligraphic script while utilizing the contrast available to contemporary digital fonts to produce a highly refined alternative for those of us who are bloody serious about our Bodoni Poster Italics. Pyes Pa features automatic OpenType ligatures and contextual alternatives.
OTF | 3 Fonts | JPEG Preview | 1.5 Mb RAR
Being inspired by early Czech type design, Maiola is clearly a contemporary typeface, that is mindful of its historical heritage, implementing old-style features and calligraphic reminiscence, more frankly so in the Italic. Nevertheless, through its personality, it attempts to create a welcoming tension on the page, without shouting too loudly at the reader. It handles its expressive tendencies with care and in doing so increases its usability, with legibility being of great importance. Subtle irregularities of the letterforms enhance furthermore the dynamic spirit and liveliness of the typeface. With the advent of Opentype, allowing for bigger character-sets and better language support, as a natural consequence, Maiola Multiscript covers Latin A, Cyrillic and Greek. Although basically independent from each other, they are, however, designed in the same spirit as the Latin, and harmonize well in multilingual text settings. The update to this beautiful font family includes the addition of over 240 glyphs featuring new ornaments, stylistic alternates, ligatures, superior letters, fractions and more. Furthermore, several glyphs were significantly improved and the kerning was fine tuned for better performance. Originally released in 2005, Maiola was an immediate success. It won the renowned TDC competition in 2004 where it was also recognized as a “judge’s choice”, was part of the touring exhibition e-a-t, and was selected in the Creative Review design competition in 2005.
OTF | 6 Fonts | JPEG Preview | 5.5 Mb RAR
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real ‘architect typography’, with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Deco variant of this 20s and 30s graphic style.
OTF | 4 Fonts | JPEG Preview | 4.9 Mb RAR
Schwager sans is the new version of Schwager. This time with a fresher taste, retaining the same principles of structure, geometry and modernist aesthetics in a contemporary reinterpretation. Designed especially for use in titles, reveals concepts associated with masculinity, technology or sports, perfect for application in cover design, logos, web.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!
TTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Etelka was designed in summer 2005 for purposes of corporate style, product package design and electronic publishing. The number of printed materials coming with products has been significantly reduced in past years, while every installation CD carries a huge documentation, mostly in PDF format. It requires an extremely legible screen typeface which is readable even in long lines. There is absolutely no need of narrowed, economizing design, because the length of electronic brochures is virtually unlimited. Etelka is excellent also for printed technical manuals, containing Cyrillics and useful ideograms and signs. Its design idea is wide, open rounded square outline taken from old glass monitor shape. It has cool industrial feeling with all diagonals slightly softened. It is suitable not only for product manuals, boxes or electronic books, but also for all kinds of visual communication, especially corporate identity and orientation systems in architecture. The Monospace fonts are useful supplement for corporate style based on this family, for technical paragraphs in educational texts and office applications, where its light weight saves your toner cartridges.
OTF | 34 Fonts | JPEG Preview | 4.3 Mb RAR
Graffiti Classic is a graffiti font that blends the improvisational urban quality of graffiti with the smoothness and regularity of a typeface. Growing up in Brooklyn, graffiti appeared to me as an explosion of expression and color in a sea of concrete. Inspired, I became a graffiti artist and practiced in both notebooks and subway tunnels. While I moved on to somewhat more traditional art forms in future years, with Graffiti Classic I pay homage to my artistic roots in a calligraphy marker/tag font. Like my other fonts, the entire Graffiti Classic font is spaced letter to individual letter so that the spacing will work smoothly, in spite of the expressiveness and irregularity of the forms. The Graffiti Classic family also includes an ornaments font, “Taglets,” which has clouds, underlines, arrows, crowns, halos and more to add flavor to your designs.
OTF | 2 Fonts | JPEG Preview | 3.3 Mb RAR
Adagio Sans Script is an experimental vertical variety of a normal sans version, with the characteristics of handwriting. It has 9 weights and like the rest of Adagio family fonts over 400 characters. Thanks to its calligraphic feeling, Sans script version is a great compliment for the rest of the forms of Adagio Family.
OTF | 9 Fonts | JPEG Preview | 4.1 Mb RAR
Pacific Northwest is a fun, handwritten font by Cultivated Mind. Pacific Northwest has been carefully hand painted and comes in two styles (Regular/Rough). This font works perfectly with the Pacific Northwest hand painted labels.
OTF + TTF | 3 Fonts | JPEG Preview | 4.4 Mb RAR
Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera, but unlike some of our previous fonts (i.e., Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l. We kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. In the end it’s a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.
OTF | 22 Fonts | JPEG Preview | 4.3 Mb RAR
Voltage, created by award-winning typeface and lettering designer Laura Worthington, is an unexpected and energetic standout in the world of script fonts, breaking free from formal classifications while retaining the degree of personality we treasure in hand lettering. Her primary goal was unique: readability with personality. Gone are the large loops, the frilliness, and the choice of beauty and elegance over utility. Voltage takes the script font in a different direction, with an emphasis on practicality and uniformity, and with the reader’s needs at the forefront—this is a straightforward, muscular lettering font, assertive, yet down-to-earth. The beauty is found in its elegantly-wrought construction, its versatility, its references to a different era, and in the galvanizing swashes and alternates available not only in a professional designer’s software, but to everyone with a computer.
OTF | 3 Fonts | JPEG Preview | 19.8 Mb RAR
Bellucci is the redesign of Ramiro Espinoza’s first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a constructivist, modular, compressed family intended for headlines and posters. The name is an homage to Mabel Bellucci, an Argentinian feminist activist.
TTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR