Herbie is a uppercase display font with alternates on every character (upper/lowercase), based only on circles and geometric lines. Herbie is inspired by, as the name might indicate, Herb Lubalin’s work and the decorative style and kerning of his era.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
Good Times was originally created in 1998 and has been overhauled a decade later. Accents cover more languages. Good Times now includes fractions & numeric ordinals. When you're using Good Times Bad Times in an OpenType savvy application, common letter pairs will be automatically replaced by custom pairs for a more realistic, stamped effect.
OTF | 15 Fonts | JPEG Preview | 5.6 Mb RAR
Horizontes Script is the result of Panco’s personal experimental calligraphy project. Designed with the goal of finding a balance between spontaneity, elegance and beauty, his first typography was born and inspired on the horizon´s blue line from the city he was born. Relaxed, energic and very natural. With different alternatives of proportion, a wide range of ligatures, initial letters, terminals, floritures, Horizontes Script comes in two weight for large and small formats. “Horizontes Script” results in an ideal font for titles and short texts that find something else to show more than just words. A casual and harmonious font with strong personality. Great for projects that need to connote class and style without being too formal. Ideal for design that need to transmit warmth and humanity feel to be applied on invitations, labels, poetry, songs or thoughts. Created by Panco Sassano, under the supervision of the experienced typographer Ale Paul – in a duo work - “Horizontes Script” is the latest typeface by Sudtipos.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.
OTF | 16 Fonts | JPEG Preview | 3.9 Mb RAR
Born out of Industry, Factoria is a geometric, square slab. The hard-working family can jump from the side of an industrial building and into a sports magazine in a jiffy. The lighter weights exhibit a clean, no-nonsense vibe while the thicker weights exude strength and character. Italics felt like a necessity as the square slab genre and its uses call for type on the move. The set intentionally doesn’t diverge far from the roman style and includes visual corrections as needed. Factoria includes eight weights ranging from Thin to Ultra with corresponding italics. The slab serif pairs great with its sans-serif counterpart, Industry. Numerous OpenType features have been included to suit different design needs. Features include: Tabular figures, fractions, subscripts, superscripts, numerators, and denominators.
OTF | 16 Fonts | JPEG Preview | 4.1 Mb RAR
Monolina is a contemporary monolinear script that is based on the contrast between classical (beautiful) calligraphy and quickly jotted manuscript (sketches). As all styles are based on the single stroke of a round nib pen, the letter is rounded. The typeface features two sets of capital and curly uppercase letters, swash characters and alternative lowercase letters, which combine well in three styles. The font also features swash figures and decimal figures for writing years and summer sales. Accent marks for all languages using Latin letters, currency symbols and punctuation marks are included. The typeface comes across as fresh as is particularly effective at headline point sizes.
TTF | 3 Fonts | JPEG Preview | 5.4 Mb RAR
Luella is an elegant, hand drawn vintage inspired font by Cultivated Mind. Luella has been carefully crafted and comes in three weights (Regular/Bold/Black). This font works perfectly with the Luella frames and ornaments sets.
OTF | 9 Fonts | JPEG Preview | 4 Mb RAR
The inscription on the base of the Trajan column in Rome is an example of classic Roman letterforms, which reached their peak of refinement in the first century A.D. It is believed that the letters were first written with a brush, then carved into the stone. These forms provided the basis for this Adobe Originals typeface designed by Carol Twombly in 1989. Trajan is an elegant typeface well-suited for display work in books, magazines, posters, and billboards.
OTF | 2 Fonts | JPEG Preview | 2.5 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Grafika is a completely original design, done in an “Art Deco” spirit reminiscent of the 1920s and ‘30s. I designed Grafika many years ago to be typeset for title cards, and both opening and end credits for the Merchant/Ivory feature film “Savages”. After the film, the design languished in my archives until I rediscovered it. I have digitally redrawn Grafika, completing it with all the alternates, ligatures, math, foreign accented characters and punctuation that weren’t required of the original design for film. Grafika is strongest when set in upper and lowercase—its unique caps extending below the baseline—although all caps settings are encouraged as well.
OTF | 1 Font | JPEG Preview | 1 Mb RAR