Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.
OTF | 1 Font | JPEG Preview | 1.8 Mb RAR
Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky, and juxtaposed letterforms provide a deviation from traditional calligraphy-inspired typefaces. Matchmaker features smart contextual alternates and swashes that add to the front and beginnings of letters (try using + + + on the end and = = = on the beginning of lowercase letters to see the feature in action). Also watch as letters on the end of words magically receive a shortened tail.
OTF | 1 Font | JPEG Preview | 2.9 Mb RAR
Meet Me In Brooklyn is a fun and friendly hand painted font. This typeface is unique and will brighten up any of your designs. Meet Me In Brooklyn was creating with a mix of water and acrylic paint giving it a softer wet brush feel. Capitals and lower case letters work exceptionally well together. This font is very playful but legible.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Enamel Brush is a caricature of a 1955 font called Catalina by Emil Klumpp. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.
TTF | 1 Font | JPEG Preview | 7.6 Mb RAR
Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.
OTF | 10 Fonts | JPEG Preview | 5.1 Mb RAR
Verner, the script brother of Verna, is a versatile contemporary script font. Verner has a set of automatic ligatures, swash characters and a selection of ornaments and a couple of alternate characters that you can easily access in any Opentype savvy program. Ornaments are placed in Stylistic set 1 but you'll also find them from the glyph panel.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
American type designer Michael Abbink and Dutch type designer Paul van der Laan created this slab FontFont in 2013. The family has 18 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
OTF + TTF | 18 Fonts | JPEG Preview | 7.4 Mb RAR
Filmotype Zephyr combines the elegant script capital forms with a classic condensed italic to create a smart and stylish typeface. Originally released in the early 1950s, Filmotype Zephyr has been meticulously redrawn from the original font filmstrips and has been enhanced to include a full international character compliment, automatic fractionals, ordinals, and a host of alternate characters in dynamic OpenType format.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.
OTF | 1 Font | JPEG Preview | 10.3 Mb RAR
Kaili FY, an exotic typeface with crazy ligatures. Inspired by Indian scripts, this new font developed in two weights offers 825 singular ligatures and give designers many possibilities to set original layouts in an exotic style.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum’s ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann’s tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.
OTF | 1 Font | JPEG Preview | 2.4 Mb RAR
The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the regular Kaishu script. As a result the font looks stylistically authentic and genuine. The typeface was designed by Aleksandra Egorova, the young type designer from St. Petersburg, and released by ParaType in 2008.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Nemocon is a display font family designed by Carlos Fabian Camargo G. Nemocon It is ideal to make attractive messages. Nemocon has over 2200 glyphs distributed in 6 files OT designed from handmade lettering and usability testing. Nemocon Script (1382 glyphs): based on the rotation of a flat tip brush. Its letters correspond to the uninterrupted calligraphic logic, as well as similar ingredients as the ones used in font Brush Script by Robert E. Smith, created for the American Type Founders in 1942. Nemocon Tuscan (375 glyphs): Inspired by representative types of wood from the 19th century, specifically speedball brawny Tuscan capitals with serifs fishtail shaped. Nemocon Catchwords (115 glyphs) + Nemocon Catchwords Shadow (115 glyphs): categorically inflated words with and without shadows, to accompany, highlight and prioritize. Nemocon Dingbats (114 glyphs) + Nemocon Containers(150 glyphs): unconventional pictograms consisting warm and comforting thoughts designed to highlight words or phrases which needed multicolored illustrations or drawings in black and white.
OTF | 6 Fonts | JPEG Preview | 4.2 Mb RAR
VANITY is new modern & sans-serif type family designed in 2014 including a set of 12 fonts, from light to bold, plain to italic, narrow to wide, now available in OTF and TTF formats to anyone. This type family can be used both for personal and commercial works such as online/offline magazines and/or books, posters, photography, websites, branding & identity, or TV spots. Please note that only the following characters are actually available in the samples given at the end of this project: lower cases, upper cases and also numbers - no accented glyphs or punctuation marks. The full type family and sources files are only available upon request for: agencies, companies and professional designers & photographers.
OTF + TTF | 12 Fonts | JPEG Preview | 4.7 Mb RAR
Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the clear-cut-corner, vibrant straight lines and large x-heights give them legibility, readability and keenness. The basic skeleton of their letterform was designed geometrically and optically corrected. The sophisticated geometric design gives them universality, neutrality and sense of unity and make it possible to be used across a wide range of applications in all medias, all purposes. Graphie supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.
OTF | 16 Fonts | JPEG Preview | 12.5 Mb RAR
An informal sans serif typeface carefully cut from the template of Regan and Regan Slab. Smooth curves are combined with simple angles to form a modern, legible font with a charming personality. Regan Alt is ideally suited to wide range of applications including advertising, fashion, retail and the web. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 20 Fonts | JPEG Preview | 3.6 Mb RAR