Candlescript font was designed by M Fairuzulhaq aka Ve, founder Vast (logotype & independent type foundry from Indonesia), and first published in August 2014. Candlescript font have a script and italic style. The body text of Candlescript font has been designed with high details, precisely, smooth and flow, so it is perfect used as a logotype, custom typeface, tittle, header, or any kind of advertisements purpose. Candlescript font have MORE THAN 2850 GLYPHS, WOW.. MORE THAN 2850 GLYPHS !!! which is consist of Uppercaps, Smallcaps, Numerals, Fractions, Punctuations, Diacritical Marks, and most other Glyphs is a variation which is parts of the OpenType features such as Standard Ligatures, Discretionary Ligatures, Stylistic Alternates, Contextual Alternates, Tittling Alternates, and THOUSAND OF SWASHES. Candlescript font also very adaptable when combined with other fonts, wether it is a Sans sherif, Slab sherif, Sherif , Regular or Italic. It allows the Candlescript font to be one of the multi-functional display font option and it will surely beautify your layout and looked very professional. The OpenType features are not working automatically, but you can access by manually and for the best results are needed for your creativity in combining these variations Glyphs. I totaly recomended to using a program whch support the OpenType features and the Glyphs panel such as Adobe Illustrator and Adobe inDesign, so that you can see and access overall of the Glyphs variations.
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
Arcus OpenType is a geometrically constructed font. The grounding principle is the round curve. The homogeneous character of this font is guaranteed by using this principle not only in drawings of particular letters but in the shaping of diacritical signs, too. The scope of the typeface weight is from Extra Light to Extra Bold while the complete font family includes 6 weights and their respective, well turned italics. This font contains a wide range of alternative signs, small capitals, lining and oldstyle numerals, fractions, superiors, inferiors, ligatures and discretionary ligatures; all this is within the frame of OpenType functions. This font type is not made for the typography of extensive texts. Best it can be used for headline display typeface or in creating logotypes and corporate identities.
OTF | 12 Fonts | JPEG Preview | 6.1 Mb RAR
Delicious Pro from Yes Please is a bold, contemporary take on the classic Americana script. Inspired by the vibrant history of early 20th Century American packaging vernaculars, Delicious Pro delivers unique flavor packed with gestural personality perfect for headlines, packaging and more! Delicious Pro features conventional ligatures, a standard set of accents and symbols, and a full set of extended custom styling ligatures to provide a versatile end-user experience. Delicious Pro has played hard for Nike Women’s Training, Nike Sportswear, IFC and more. Delicious Pro is designed by Lee Schulz.
TTF | 1 Font | JPEG Preview | 8.5 Mb RAR
Ondise is a curvy and warm hand-lettered calligraphy script with a natural, dancing baseline. This Opentype font was created with a pointed pen & ink, and includes six different ampersands as well as a swash feature that automatically substitutes beginning & end of word letters. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new ‘and’.
OTF | 1 Font | JPEG Preview | 9.4 Mb RAR
The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it’s a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
OTF | 1 Font | JPEG Preview | 2.1 Mb RAR
Typeface Little Cecily was designed on the base of Russian calligraphy sample book for primary schools “Propisi pryamogo pis’ma” (Moscow, 1914). Such kind of scripts was implemented in school programs at the end of 19th — beginning of 20th century. There was an opinion that the straight writing is easier for learning and better for children from a medical point of view. The letterforms of the typeface are characterized by simplified constructions and upright design which distinguishes it from the list of typical school scripts and convey to it a naive charm and originality. The character set covers standard Western and Cyrillic code pages and contains some additional letters from the old Russian orthography. Besides it includes alternative letters that were presented in original book and contextual forms for connected writing. The font was designed by Olga Umpeleva. Released by ParaType in 2011.
OTF | 1 Font | JPEG Preview | 1.2 Mb RAR
Inspired by the Bronze Age of comics, “Fight to the Finish BB” comes with EIGHT sound effects fonts; four with clean edges, and four with rough edges. Talk about covering all the bases. All have extended European character sets, as always!
OTF | 8 Fonts | JPEG Preview | 1.1 Mb RAR
Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone. This hand written style font is based on Alissa’s signature calligraphy style and pairs beautifully with fonts like Frosted and Icing.
OTF | 1 Font | JPEG Preview | 1.4 Mb RAR
Monolite is a geometric sans serif display typeface. This geometric typeface is not to be messed with; its clear-cut edges and modern styling gives Monolite the attitude it needs to leave a lasting impression.
OTF | 1 Font | JPEG Preview | 5 Mb RAR
Dutch type designer Fred Smeijers created this sans FontFont between 1997 and 2012. The family has 28 weights, ranging from Thin to Black in Condensed and Medium (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Quadraat Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.
OTF + PDF | 24 Fonts | JPEG Preview | 16.5 Mb RAR
Montague Script takes its name from a small hilltown of western Massachusetts rich in culture and history. I lived in this beloved community for a number of years and it’s where I first began my study of calligraphy and lettering. While most brush scripts take their cue from mid-twentieth century samples, Montague Script is a fresh, contemporary alternative. It comes directly from lettering written with a #3 sable brush on smooth vellum and is digitized with the same sensibility a lettering artist writes with. Montague reflects a dynamic interplay between form and rhythm not usually associated with type. Words suggest a baseline, yet are not bound by it. Beginnings, endings, alternates and ligatures come in as needed while you type. Many more alternates are available in the glyph palette of most current graphic software. Exuberant swash versions of upper and lowercase letters, as well as ligatures can be accessed through both the type and glyph palettes. Montague Script is a natural for advertising, point of purchase displays, packaging and logo design, cards, invitations, journals and much more. You will be delighted at how well it can dress up a project and how easily it sets.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Adagio Serif Script is an experimental vertical variety of a normal sans version, with the characteristics of handwriting. It has 9 weights and like the rest of Adagio family fonts over 400 characters.Thanks to it’s calligraphic feeling, Sans script version is a great compliment for the rest of the forms of Adagio_Family.
OTF | 9 Fonts | JPEG Preview | 5.1 Mb RAR
MonsterHand is our first Ruling Pen made face. This tool is usually used in calligraphy for expressive lettering. Giuseppe Salerno’s hand has been converted into this crazy typeface. This font includes also a set of icons. Enjoy it!
OTF | 1 Font | JPEG Preview | 9.8 Mb RAR
This font was originally designed side by side with my first attempt at a semi serif typeface in 1997. The design made it through to full development only a couple years ago when our studio decided to complete the regular weight for a local project here in Bangkok. The face is a traditional serif with narrow stem (somewhat like sans serif) and industrial stroke. A good mix of Bangkok character where you can find Wat (old buddhist temple) next to futuristic high rise. This font was shown in Klingspor-Museum Offenbach, Germany, at a Typographic & Type Design exhibition Schrift in Form 3-26 September 2008.
OTF | 3 Fonts | JPEG Preview | 4.8 Mb RAR
Bellas Artes is what happens when the brush of Angel Koziupa and the technical expertise of Alejandro Paul go face to face with the Art Deco aesthetic. The recognizable Koziupa curves become players of a game of halves, where there is no such thing as a better half, but both sides complete each other like in that perfect romance you will never forget. Bellas Artes is an excellent choice not only for packaging design, but also for book and music covers meant for the feminine demographic, collateral of classical taste, and of course pre-WWII visuals.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Barricada is a loud-voiced typeface with small counters that gives an interesting strong weight. Moreover, it has a solid structure providing strength. Its curved serifs and swashes give a touch of softness and make the letters a little playful. This is the right option to set a fresh and solid text.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Bakery Script is the Argentine duo’s nod to the high spirits of the 1970s. Angel Koziupa used his ever popular wild brush to draw the outline version, and Alejandro Paul refined it, expanded it, then extrapolated the solid version. While the outline version makes the letters seem like they're growing out of each other’s shadows, the solid version presents a wilder version of the casual dancing letters Koziupa’s brush has entertained us with during recent years. Sharp in places, perfectly curved in others, and with many letter alternates and ligatures included within the fonts, Bakery Script would be at home in packaging design, outdoors and adventure literature, and everywhere a display design needs that sharp but friendly touch to reach its goal.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Argenta is handwritten and fresh. The casual spirit of this face is evident, but complemented by very specific typographic details. A playful script with an immensely useful array of alternate characters. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.
OTF + TTF | 1 Font | JPEG Preview | 1.1 Mb RAR
Amorinda is a connected script that manages to be wild and disciplined at the same time. It can scream wildly within a design or smoothly blend in to make it more human. With its versatile character and a complete set of alternates, Amorinda is the perfect display face for everything from product branding to signage. This 2007 version of Amorinda is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as Adobe Creative Suite.
OTF + TTF | 2 Fonts | JPEG Preview | 1.5 Mb RAR
Decima is a new display face designed in 2008. The designer’s inspiration was a previous creation, PR41, a monoline condensed typeface developed for use on instrument panels. This time, the intention was to create a typeface with a more modern, yet soft, look while retaining PR41 characteristics. Decima is a condensed geometric San Serif, built in three weights and six styles. The letterforms in roman style are techno in appearance, while italics remind one of handwriting (which is evident in lowercase g, y, z whose loops resemble real italics). In bold weight, the letters retained the condensed matrix of regular weight letterforms, making it ideal for titling usage. Ink traps have been added to some letters to aid readability. Decima is released as OpenType single master with a Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 4.3 Mb RAR
Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.
OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR
Innervers Gothic is a modern, geometric sans serif typeface. It is designed with a very low stroke contrast. The initial design inspiration was in the shape of superellipse. The family consists of six weights ranging from 10 to 60: 10 Ultra Light, 20 Thin, 30 Light, 40 Regular, 50 Medium and 60 Bold. It is a display typeface, well suited for headlines, logo, advertising etc. Thanks to its tall x-height and its wide and geometric forms of letters, it is also very readable in small text sizes. Opentype features include standard ligatures, fractions, proportional/tabular figures, numerator and denominator numbers, as well as superscript and subscript numbers.
OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR
Gelato Script is a smooth-flowing typeface with an air of familiarity. Influenced by both formal scripts and mid-Twentieth Century hand lettering. The power of OpenType is used with precision in the Contextual Alternate feature to make sure letters connect seamlessly, t’s cross where they can and swashes don't crash into neighboring glyphs. 781 glyphs make up this font, which is capable of speaking in many different languages. Alternate forms are grouped into stylistic sets to make it easy to change the mood of the text. For example, ss01 makes droopable letters drop below the baseline to break it up a little if required. I recommend using it sparingly, one glyph at a time, but if you do enable it for a whole chunk of text, the clever OpenType programming ensures that it doesn't go overboard. Sets 2, 3 and 4 bring about alternate forms of S, s, B and Q. Set 5 changes AE and OE to some perhaps controversial Upper/lowercase ligatures. Engage ss06 for the underline feature. After a word, simply type two or more underscores and a line extends backwards under the word you just typed. Don't worry if you have to break for a descender, the OpenType programming will take care of making sure it connects properly to the preceding character. Sets 7 and 8 are for alternate ampersands, and ss09 swaps the script r for a regular shaped r.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR