Vector Basic Training: A Systematic Creative Process for Building Precision Vector Artwork (Ebook + DVD) (New Links)
Publisher: New Riders Press | 2011 | ISBN: 0321749596 | H264 | 960x720 | 29.97fps572kbps | AAC 128kbps | 1.52GB
Listen up, designers, and wipe those grins off your faces! Its time to get serious about your design work. For too long youve allowed yourself to go soft, relying on your software to do all of your creative work for you. This book will NOT show you how to use every tool and feature in Adobe Illustrator. This book WILL, however, teach you the importance of drawing out your ideas, analyzing the shapes, and then methodically building them precisely in vector form using the techniques explained in this book.
FXPHD - DAV210 - DAVINCI RESOLVE
English | Audio: aac, 44100 Hz | Video: h264, yuv420p, 1152x648, 1201 kb/s | 450x463 | 3.5GB
FXPHD favorite Kelly Armstrong returns for a introductory look at Resolve on Mac. daVinci shook up the grading industry by dramatically reducing the price of Resolve by making it available on the Mac. Our course will give you a solid foundation to work in the software while also providing creative tips and techniques along the way to bring your imagery to life.
DVD5 | NTSC 4:3 | (720x480) | MPEG2 ~5365 kbps | 01:17:40 | English: AC3, 192 kb/s (2 ch) | 2.98 GB
Genre: Drawing, Painting
English | MKV | h264, yuv420p, 720x480, 23,98 fps | mp3, 48000 Hz, stereo | 2.05GB
Genre: Video Training
It's the boxed video collection of Bruce Blitz's (Homepage) videos of how to draw cartoons. It was a five video set that came out in the early 90s.
English | h264, yuv420p, 1280x720, 23.98 fps | aac, 44100 Hz, mono | 1.87 GB
Genre: Video Training
This lecture is the first of a series on how to approach drawing the human figure. In this series, Jack states that a successful figure drawing must include evidence of three sets of information: gestural, structural, and anatomical; the first being the focus of this particular demonstration.
Digital-tutors: Behind the Scenes Look at Designing the Mad Scientist
English | Video: vp6f, yuv420p, 782x646, 1024 kb/s | Audio: mp3, 44100 Hz, s16 | 589 MB
Genre: Video training
In this course we will examine the thought-processes that were put into designing the Mad Scientist.
English | avi 1343 kb/s | 720x480, 29.97 fps | mp3 128 kb/s | duration: 02:35:53 | 1.46 GiB
Genre: Video Training
David N. Kitler instruction DVD, David N. Kitler shows you his straightforward method for observing and conveying the information critical to successful drawing. You will learn his process for capturing accurate likenesses in the wild or in the studio. This drawing instruction DVD, Draw with Confidence: from Basic to Brilliant, is for artists with beginning to intermediate skills.
At the Opera by Jeffrey Watts DVD 1
English | MPEG4 Video (H264) 512x384 29.97fps | AAC 24000Hz stereo 768Kbps | 1.37 GB + 2.06 GB
"In 2007, we had the privilege of filming a series of videos with Jeffrey Watts in his studio in Southern California. This is the first of the programs, and it represents the great power and talent this young artist brings to the contemporary art scene. Watts is a painting hurricane, approaching the canvas with a bombastic energy that explodes into what seems at first to be chaotic brushwork. Not since the late, great Nicolai Fechin have we seen a paint surface like the ones Jeffrey creates. He is admittedly influenced by the late Fechin's work, and we believe he is the torch bearer for this generation of painters who wish to follow in the steps of that early 20th century master.
Matthew Archambault - Composition - Learn How To Compose Your Drawings
English | FLV | XVID 536 kbps 30 fps | 640x480 | MP3 22 kbps 48 KHz | 1.86 GB
Azaleas and Oranges by Robert A. Johnson DVD1 - DVD2
English | VOB | AVC 4493 Kbps, 720x480, 23.976 fps | AC3 192 Kbps | 03:54:42 + 03:38 | 6.8 GB + 7.37 GB
Drawing The Figure in Motion with Robert Liberace
English | Audio: ac3, 48000 Hz, 160 kb/s | Video: mpeg2video, yuv420p, 720x480, 9000 kb/s | 4.6Gb
Classical figure drawing radiates with energy giving us the sense of the body full range of strength, movement and vitality. This dynamic approach infuses artwork with a kinetic excitement that is the hallmark of classical drawing.