OTF | 9 MB
Designed by Luis Torres & Diego Rodriguez, and Exclusive to HypeForType. To call Alquimia a ‘typeface’ isn’t nearly enough, it’s an intricately beautiful language in itself. Expressive, versatile - and somehow both contemporary and retro at the same time. Alquimia takes some of its inspiration from symbols, elements and formulas used within the ancient art of alchemy. A classily simple letterform structure is brought to life with symbols, lines and geometric embellishments. Taking inspiration from the influential philosophical tradition of alchemy, combining classically simple structures with symbols, lines and shapes to create a beautifully expressive and visually stunning typeface, Alquimia is a power to behold.
OTF | 2.26 MB
Spiderlegs is a tall, handwritten typeface. It comes with Babylonian language support, contextual alternates and some pretty unique styles.
One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn't fit the Spencerian theme of that typeface. These forms simmered in Ale’s subconscious over the next three years, during which time he visited New York City, pored over rare type specimen books in the New York Public Library, and explored Brooklyn’s neighborhoods. Brownstone, the face born from these explorations, is an original 21st-century design, yet one subtly infused with historical and cultural references -- keen observers might spot influences from decorative typefaces of 19th-century foundries. And just as faces from that era were influenced by contemporary architecture, the frames included with Brownstone echo the ornate iron railings of Park Slope’s row houses. (There’s also a slight 1960s vibe to Brownstone, of novelty swash-sans photocompositing faces, that can be played up at your discretion.) Influences aside, Brownstone has broad appeal to modern audiences. A soft, monoline sans-serif, with elements of Swiss geometry (see the ‘k’ and ‘x’), its marriage of highly legible, draftsman-like letterforms with decorative swashes and ornaments reflects the old-meets-new aesthetic of the DIY craft culture seen in Brooklyn and other urban centers. It’s ornamental but unfussy, romantic but understated. Brownstone includes character sets for Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic and Welsh. Over 1500 glyphs, including small capitals, swash characters, alternates, and ligatures, in both Light and Thin weights. Ornamental frames are also included in both weights.
OTF | 3 Fonts | JPEG Preview | 3.4 Mb RAR
Centim is contemporary sans with sharp top endings of stems that give a bit technical charm to typeface. With a squarish look, it can be used widely in all modern publications or become a part of an corporate identity. In smaller sizes, Centim offers good readability due to its simple and good balanced lines. Centim is available in Regular and Bold weights, as an ideal high-contrasted combination where all characteristics of the typeface are purely effective. Centim is the archaic Serbian word for Centimeter, a word that was mostly used in tailoring during XIX and XX century.
TTF | 2 Fonts | JPEG Preview | 4.9 Mb RAR
Mr Lucky is Mr Happy's slab brother and a hand-drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set Fill over Background or Stripped Background to get a two color mode. Mr Lucky has upper and lowercase characters with up to three alternate glyphs and special alternate uppercase diacritics. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.
OTF | 7 Fonts | JPEG Preview | 5.9 Mb RAR
OTF | 119 KB
Poster type faces from the twenties and thirties are enjoying a new wave of popularity. The summary, even rather hard principle of the sign is required for a view from a distance. The information appearing on the poster must be readable even from the opposite pavement. And, as is often the case with monumental type faces, these type faces are legible even in small sizes. The name Bahnhof suggests the hypothetical use of the type face on railway station buildings.
OTF | 1.57 MB
The design of InterFace is influenced by the sans serif fonts of the late 19th Century. While many of the features are Grotesque, a softer look is achieved by blending in some humanist features, such as how the curved strokes meet the straight stems. The fractionally raised x-height allows for a slightly narrower design to increase the letter count where space is at a premium. InterFace’s highly individual design features on some characters support a unique look, which helps a brand or identity stand out from the crowd.
This Font is the official typeface of the UK’s famous Southeastern Rail service. It is used in all of their marketing, signs & logo.The Standard Edition includes a complete Latin A Extended character set. Please see the Corporate Edition of the font for an extended character set with Greek and Cyrillic scripts.
OTF | 1.54 MB
D.I.Y. Time is a hand drawn type system designed by Luciano and Coto inspired by the DIY philosophy which has been transformed into a whole global counterculture movement, identifying the new generations that reprice the handwork, paying attention to quality, processes and materials used in the manufacture of goods and objects, food, clothing, furniture etc. This beautiful philosophy inspires us every day. Is present in our homes, in our lifestyle and this time we have given him way through a typeface family that mixes different styles but integrates them through language handmade. The result is a typeface based on hand lettering drawing with different brushes and pens on paper. With versions ranging from organic proposals as DIY time hand to other based on the classic proportions of Gill as DIY time sans. To accompany a set of compound words designed on the needs of small farmers and a set of ornaments illustrated, everything you need to begin to make your own.
OTF | 991 KB
Inspired by illustration lettering, Pocket has a contemporary, quirky feel. Its combination of narrow and round forms give it a humorous feel.It has support for most western and central European languages, and has alternates for most letterforms, allowing for variations that make it look authentically hand-drawn.
This hand drawn serif font is perfect for giving a fun touch to your projects. It combines a handmade look and rough texture with classic serif forms. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn.
Buttermilk is the first font from illustrator/designer/typographer Jessica Hische. It’s a wonderful display script that is feminine but bold. It’s equipped with decorative caps (which would make great drop-caps), fancy numerals, and a far too extensive array of ligatures (automatic in most programs thanks to OpenType) to make it easier for you to set it beautifully.
OTF | 1 Font | JPEG Preview | 4.1 Mb RAR
Irma Text Round has been carefully crafted with nuanced curves and a more intimate character than Irma Text. Its edges are round and soft, but the underlying forms are clear and lucid, making it both suitable for display use and legible at small sizes. Each weight behaves differently — the terminals of lighter cuts are completely circular, while the heavier weights are less rounded — yet its appearance is consistent in each weight.
OTF | 18 Fonts | JPEG Preview | 4.1 Mb RAR