OTF | 16.8 MB
Fram is an uppercase stencil typeface. It comes with a fine-tuned kerning, its extensive character set ensures multiple languages coverage and the design is adapted to different ranges of size through size-specific optical compensation. Fram L is intended for use at large sizes and Fram S with larger gaps guarantees good performance even when the size is reduced.
OTF | 729 KB
Our main purpose while developing this typeface was to reconstruct, in the most precise way, the first ten plates of the “Arte de Escribir”, in a chapter named “Enseñanza de la letra italiana, y sus principales variaciones, autores, sistemas, &c.”, dedicated to the analysis of the Italian Script. We decided by this plates because those are the few that don’t refer, directly or indirectly, to any author in particular. We strongly believe that these plates reflect the freedom of his very own calligraphy and are closely related to the calligraphic style that was a success among the spanish calligraphers: the Spanish Bastarda.
A geometric sans serif with minimal contrast. Shallow curves are smoothed out of rectangular letterforms to produce a fresh, legible typeface best suited to information based applications. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 4.3 Mb RAR
We designed Mrs White for our next book for children. We needed a clean script that would give a feeling of a primary school handwriting. Mrs White is filled with ligatures and contextual alternates which gives her very smooth line of text. Scripts shouldn't be used without lowercase letters so we added a small caps for headlines and acronyms. Check out the manual for more information on how to use Mrs White. Polish language use latin characters but we would like our Eastern neighbors to be able to enjoy Mrs White so we added cyrillic alphabet (script and caps).
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
OTF | 8.18 MB
Semi-formal and eye-catching elegance is the name of the game, says Aguafina Script, Koziupa and Paul’s latest creation.Graceful, but not too casual. Knowledgeable and artistic, but not too imposing. The characters flow into each other, making a very saucy script with appetizing color. The narrow lowercase allows for efficient use of space, while the long ascenders and descenders help maintain the legibility.A unique find among scripts, Aguafina is useful for product packaging, glossy magazine work, and book covers.
OTF | 2.09 MB
Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul.Although the overall ‘wildness’ of Cenizas is reminiscent of popular mid-twentieth-century English display scripts, Koziupa’s Latin brush humor and ingenuity remain evident in the underlying structure of the design.Casual, care-free and adventurous, Cenizas can be a great choice for design applications relating to active behavior, like outdoor sports and travel. It also is enough of a rough script to be quite useful in a variety of other design contexts, such as the covers of art books or historical novels, museum literature, music sleeves and posters, or even map designs.
Riga is a space-saving and legible typeface designed to work equally well on paper and on the computer screen. Its personality is clear and practical, yet warm and polite. Riga is suitable for a wide range of typography such as editorial, websites, packaging and corporate design. Economical proportions, high x-height and open letter forms guarantee good performance in narrow columns and tight headlines. Riga is exceptionally readable at small point sizes and elegant at larger ones. Riga comes in 18 styles and weights and contains a large number of OpenType features.
OTF | 18 Fonts | JPEG Preview | 4.5 Mb RAR
Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting.
OTF + TTF | 1 Font | JPEG Preview | 8.7 Mb RAR
Years ago Gábor Kóthay discovered a rare book containing historic maps and various cartographic signs. Gábor had been quite an explorer as a child, and this antique book enabled him relive his love for the term “Terra Incognita” or “unknown land”. Working on the Incognito typeface was a typographic - and topographic - journey into his Hungarian past and the folklore and history of another time. The inspiration for the names for the Incognito family come from map titles and captions. Specifically, the names for the swash variations come from the Latin terms for the points of a compass.
OTF | 3 Fonts | JPEG Preview | 4.1 Mb RAR