OTF | 2.1 MB
Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal.The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.
OTF | 1.4 MB
An attempt to go back towards the beauty of fine book printing, inspired in Britain’s literary classics.Athelas takes full advantage of the typographic silence, that white space in the margins, between the columns, the lines, the words, the lettershapes and finally, within the characters themselves. It is also intended to take advantage of the great advances and technical developments made in offset printing.Athelas shows its best side in finely crafted book editions and good printing conditions. Athelas has a large character set that covers most of the languages that use the Latin script. Although inspired in British literature, this typeface respects the cultural values behind different languages, where diacritic marks have an utterly important role.Athelas features four weights and about 800 characters per weight, including small caps, discretionary ligatures, fractions, a complete range of numerals for every use and a set of ornaments and arrows.
Enamel Brush is a caricature of a 1955 font called Catalina by Emil Klumpp. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.
TTF | 1 Font | JPEG Preview | 7.6 Mb RAR
Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.
OTF | 10 Fonts | JPEG Preview | 5.1 Mb RAR
OTF | 2.3 MB
Karmina 4 Fonts Karmina Sans
Karmina is a text typeface developed mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed with web presses and variations in the ink level of the printing press.
Karmina Sans follows the steps of its successful award winner cousin, Karmina Serif . It shares the same technical excellence and it achieves similar stylistic features, but the new sans serif version proposes a much more versatile tool for editorial designers.
Verner, the script brother of Verna, is a versatile contemporary script font. Verner has a set of automatic ligatures, swash characters and a selection of ornaments and a couple of alternate characters that you can easily access in any Opentype savvy program. Ornaments are placed in Stylistic set 1 but you'll also find them from the glyph panel.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
American type designer Michael Abbink and Dutch type designer Paul van der Laan created this slab FontFont in 2013. The family has 18 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
OTF + TTF | 18 Fonts | JPEG Preview | 7.4 Mb RAR
Filmotype Zephyr combines the elegant script capital forms with a classic condensed italic to create a smart and stylish typeface. Originally released in the early 1950s, Filmotype Zephyr has been meticulously redrawn from the original font filmstrips and has been enhanced to include a full international character compliment, automatic fractionals, ordinals, and a host of alternate characters in dynamic OpenType format.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
OTF | 9.15 MB
A cross between a Roman type face and a slug, a type face with blurred letters, inspired by a tropical snake remotely contained in the letter "g". Or a mere attempt to come up, at all costs, with something new and original. This type face has a truly avant-garde solution of the enclosed forms; these create horizontal connecting lines which help to hold the line together. It is interesting that Cobra looks good in any size, which cannot be said at all about the majority of respectably-looking letters. This type face is very suitable for posters where its dynamics and softness stand out in large sizes, as well as for small experimental books for bibliophiles where it surprises us with its commendable legibility.