OTF | WOFF | 36 MB
Workhorse is a Sign Painter’s Gothic developed by Master Sign Painter Greg Reid. Workhorse captures the true essence of hand lettering. From the tapered waists to the elegant snaps of the brush; these elements present a warmth unseen in today’s mechanically stiff Gothics. Greg Reid and Charles Borges de Oliveira collaborated to bring this truly one of a kind typeface to fruition. With the power of Open type, Workhorse utilizes Contextual Alternates to create random variations of the capitals and lowercase letters. This allows your text to have subtle differences in the letters without losing form which helps to create an honest hand lettered look. This feature can be turned on or off to suit your individual style. You also have the ability to manually choose the glyph variations from the glyph pallet to help you create one of kind designs. Both versions of Workhorse feature complete variations of the capitals and lowercase letters (56 total), Small Caps and six alternates. The Small Caps are not just the capitals scaled down. They have been designed as a unique second set that adjusts the stroke thickness to match the existing letters, creating what we like to refer to as “Real Small Caps”. Workhorse is a timeless classic that can be used from early Americana advertising all the way up to present day modern use.? No matter how you use Workhorse it always looks and reads well.
OTF | WOFF | 31 MB
Roper is a western styled font that comes in a sans and a serif version, each version has a regular, press light and a press heavy option. The press versions are a letterpress/stamped style.Although Roper is an all caps family of fonts and was designed as a display font, it can be used in many ways. Roper gives the user many options to choose from with regards to styling, this helps bring whatever it is you are creating with Roper font, come to life.
OTF | WOFF | 35 MB
Sanzibar Pro is an elegant sans serif typeface with spurless, medium contrast letterforms and a well balanced mixture of straight, rounded & angled terminal styles. These hybrid characteristics lend a slightly exotic appearance to some of the clean, classic forms, hence the decision to use the onomatopoeic pun when naming the font.Sanzibar’s split personality is further enhanced by the inclusion of swashed and stylistic alternates which let the user embellish and personalise text settings with ease, changing the dynamic of any design or document instantly. This ability to morph itself on the fly is a key characteristic of Sanzibar, shapeshifting from classic to flamboyant styling via the extensive glyph palette. Two fonts for the price of one in effect.Also included are the “Alphabats”, a suite of ornaments, dingbats and symbols that provide an extra decorative accompaniment to the alphanumeric glyphs, perfect for space dividers, borders and stylistic adornment. The Alphabats are also available as a standalone free font.
Business Penmanship is an ode to the business handwriting from the era penmanship was a highly-valued part of business education and practice.?
In the early 1800s, Platt Rogers Spencer (1800-1864) created what would become the most widely accepted and prized cursive writing method used in business. Before the American Civil War, Spencer was the undisputed king of handwriting. He was also an outspoken supporter of American business education. By the late 1800s business education included some focus on penmanship, and there were many colleges that specialized in it. One of the most influential penmanship schools was founded by Charles Paxton Zaner and his partner E. W. Bloser. Later on, in the early 1900s Austin Palmer introduced the Palmer Method of business penmanship, and it soon became the most popular handwriting system in the United States.? Business Penmanship is a single feature-rich font that includes over 1100 characters, covering ligatures, alternates, a large set of beginning and ending extensions, as well as a wide range of Latin-based languages, including Turkish and the languages of Central and Eastern Europe and the Baltic region. To take advantage of all the OpenType features included in the font, please use within programs that support such advanced typography.
OTF | 2 Fonts | JPEG Preview | 7.6 Mb RAR
Hurtington is a typeface that inspired from old and vintage lettering. Suits best for vintage / classic designs, logo, signage, headline, etc.
TTF | 1 Font | + Vector Labels | 3.5 Mb RAR
OTF | 67.7 MB
Gist Rough from Yellow Design Studio is the letterpress version of Gist. It’s warm and weathered with a retro yet modern vibe. Every weight includes 3 versions with varying levels of texture which can be used individually or mixed to taste. It has highly detailed texture and looks great even at very large sizes.
With 627 glyphs per weight, Gist Rough is highly customizable…either keep it simple with the base character set or use ligatures, alternates and swashes for extra flair. All-caps typesettings have an especially retro edge. Also included are line layers for adding color to the inline areas.
Nemocon is a display font family designed by Carlos Fabian Camargo G. Nemocon It is ideal to make attractive messages. Nemocon has over 2200 glyphs distributed in 6 files OT designed from handmade lettering and usability testing. Nemocon Script (1382 glyphs): based on the rotation of a flat tip brush. Its letters correspond to the uninterrupted calligraphic logic, as well as similar ingredients as the ones used in font Brush Script by Robert E. Smith, created for the American Type Founders in 1942. Nemocon Tuscan (375 glyphs): Inspired by representative types of wood from the 19th century, specifically speedball brawny Tuscan capitals with serifs fishtail shaped. Nemocon Catchwords (115 glyphs) + Nemocon Catchwords Shadow (115 glyphs): categorically inflated words with and without shadows, to accompany, highlight and prioritize. Nemocon Dingbats (114 glyphs) + Nemocon Containers(150 glyphs): unconventional pictograms consisting warm and comforting thoughts designed to highlight words or phrases which needed multicolored illustrations or drawings in black and white.
OTF | 6 Fonts | JPEG Preview | 4.2 Mb RAR
Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.
OTF | 10 Fonts | JPEG Preview | 5.1 Mb RAR
Verner, the script brother of Verna, is a versatile contemporary script font. Verner has a set of automatic ligatures, swash characters and a selection of ornaments and a couple of alternate characters that you can easily access in any Opentype savvy program. Ornaments are placed in Stylistic set 1 but you'll also find them from the glyph panel.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR