TurboSquid - Robot Collection 16 | $129
Robot RM100 (max / 3ds / obj)
Robot Dg240 (max / c4d / 3ds / obj / fbx)
Robot TR2102 (max / c4d / 3ds / obj / fbx)
Robot Woman Character (max / c4d / 3ds / obj / fbx)
OTF | WOFF | 35 MB
Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters.In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness.In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.
OTF | WOFF | 36 MB
Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber.In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height “x” with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader’s attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media.In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.
OTF | WOFF | 36 MB
Scrittura was inspired by Anton Scholtz’s font, Honeybird, and developed into a contemporary variation with three styles.Scrittura Moderna: sleek and calligraphic. A dramatic, vigorous yet elegant font, whose upright letter shapes flow into each other like molten gold. Use Moderna for marketing cosmetics and clothing, for book covers, greeting cards, wedding stationery.Scrittura Antiqua: weathered, almost grungy. A new font with an “antique” look , reminiscent of ancient parchment manuscripts. Use Antiqua for certificates, medieval banquet or wedding stationery, theatre posters and programs, and book covers.Scrittura Fantasia: magical and ghostly. A slightly distorted, evoking Halloween, the Day of the Dead, and your favorite horror movie. Use Fantasia for horror comic covers & posters, horror movie posters, CD covers, Halloween material.The font contains over 272 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes "open-type"characters to enhance the flow of the text. It has all the accented characters used in the major European languages.
Shepia is a Monoline Cursive Handwriting. classic and fun vintage script. With almost 390 glyphs and 188 alternative characters, contain with opentype features. Stylistic alternates, Ornament, swash and more.
OTF | WEB | 1 Font | JPEG Preview | 3.1 Mb RAR
Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics, etc., and it is perfect for t-shirts and other items.
OTF | 2 Fonts | JPEG Preview | 3.9 Mb RAR
Speedometer is derived from Dimensions font family that is most narrow and black font for titling and logo. This speedometer is more elegant by its contrast between the thickness of stem and thinness of the arms than Dimensions. This contrast makes more vigorous and speedy impressions too. All 6 weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature.
OTF | 12 Fonts | JPEG Preview | 3.2 Mb RAR
OTF | WOFF | 36 MB
Workhorse is a Sign Painter’s Gothic developed by Master Sign Painter Greg Reid. Workhorse captures the true essence of hand lettering. From the tapered waists to the elegant snaps of the brush; these elements present a warmth unseen in today’s mechanically stiff Gothics. Greg Reid and Charles Borges de Oliveira collaborated to bring this truly one of a kind typeface to fruition. With the power of Open type, Workhorse utilizes Contextual Alternates to create random variations of the capitals and lowercase letters. This allows your text to have subtle differences in the letters without losing form which helps to create an honest hand lettered look. This feature can be turned on or off to suit your individual style. You also have the ability to manually choose the glyph variations from the glyph pallet to help you create one of kind designs. Both versions of Workhorse feature complete variations of the capitals and lowercase letters (56 total), Small Caps and six alternates. The Small Caps are not just the capitals scaled down. They have been designed as a unique second set that adjusts the stroke thickness to match the existing letters, creating what we like to refer to as “Real Small Caps”. Workhorse is a timeless classic that can be used from early Americana advertising all the way up to present day modern use.? No matter how you use Workhorse it always looks and reads well.
OTF | WOFF | 31 MB
Roper is a western styled font that comes in a sans and a serif version, each version has a regular, press light and a press heavy option. The press versions are a letterpress/stamped style.Although Roper is an all caps family of fonts and was designed as a display font, it can be used in many ways. Roper gives the user many options to choose from with regards to styling, this helps bring whatever it is you are creating with Roper font, come to life.
OTF | WOFF | 35 MB
Sanzibar Pro is an elegant sans serif typeface with spurless, medium contrast letterforms and a well balanced mixture of straight, rounded & angled terminal styles. These hybrid characteristics lend a slightly exotic appearance to some of the clean, classic forms, hence the decision to use the onomatopoeic pun when naming the font.Sanzibar’s split personality is further enhanced by the inclusion of swashed and stylistic alternates which let the user embellish and personalise text settings with ease, changing the dynamic of any design or document instantly. This ability to morph itself on the fly is a key characteristic of Sanzibar, shapeshifting from classic to flamboyant styling via the extensive glyph palette. Two fonts for the price of one in effect.Also included are the “Alphabats”, a suite of ornaments, dingbats and symbols that provide an extra decorative accompaniment to the alphanumeric glyphs, perfect for space dividers, borders and stylistic adornment. The Alphabats are also available as a standalone free font.