OTF | 2.69MB
Design can do without images, but not without typefaces.Libertad is a sans-serif typeface that mixes humanist and grotesk models. It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses.This typeface follows the Luc(as) de Groot’s Interpolation Theory, that’s why it has seven specially-calculated weights plus their matching italics, from thin to extra-bold. This allows it to be useful in big headlines and also small texts. It has more than 800 characters per weight and support for more than 70 languages.
Lucas Sharp’s first release through Village debuts in the Incubator. Sharp Sans injects some much needed humanism into the Futura model. With its sheered terminals and true italics, Sharp Sans combines the appealing typographic compensation of the grotesque, with the plump circular bowls of the geometric. The result is a typeface suited for both text and display use that breaths life into the genre of the geometric sans.
OTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
The concept of this font is very simple. Wide and Legible, No decorative, just simple. The variety of weights make your design more flexible.
OTF | 36 Fonts | JPEG Preview | 7.2 Mb RAR
118 Font Family 875 Fonts $20000 (With Lost Fonts)
OTF | TTF | 168 MB
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Parachute is an independent award-winning type foundry. It landed in 1999, but it wasn’t till 2001 that it started operating as a full-scale company. Since then, 13 designers have joined in to form a select group of open minded, free spirited individuals, all coming from diverse design fields.Over the years, Parachute has built a strong network of valuable relationships with customers in Europe, United States, Canada, Asia and Australia. It’s clientele includes multinational companies and organizations such as the European Commission, American Express, UEFA, Disney, Time Warner, McGraw-Hill, Ikea, Samsung, Nestle and Unilever, advertising and branding agencies such as BBDO, McCann Erickson, TBWA, MetaDesign, JWT, Interbrand, Wieden+Kennedy, publications such as Financial Times, National Geographic, Harper’s Bazaar, Grazia, PC Magazine, PC World, as well as many others.The year 2003 marked the beginning of a new era for Parachute with the release of an award-winning catalog (Print European Design Annual 2004). Since then an emphasis was placed on multilingual support and opentype technology.During the last 5 years Parachute has won several major international typeface design awards, with the most recent the red dot: grand prix 2012 for original typeface. All Parachute fonts have been designed to offer multilingual support for major scripts such as Latin, Greek and Cyrillic. Latest entries support Arabic as well.
OTF | 2.06 MB
If your computer infrastructure is already Dredd-fully overcrowded with fonts, this set won't help you any. Like any self respecting city-state, virtual or otherwise, MEGA CITY will cover pretty much the entire Eastern motherboard of your computer, providing a veritable urban sprawl of faces to populate your matrix. Secure, welcoming and utilitarian, MEGA CITY is perfect for massive tower block lettering or ultra wide-lane MegaFreeway signage. Mega citizens may feel that this font set makes hyperreality fonts seem unreal in comparison -- and 800 million people can't be wrong!
OTF | 2 MB
The playfulness of the Foco font family’s design details belie its serious quality. Foco can be equally well employed in the toughest of corporate identities, or to entice in advertisements. While the playful details shine through in titling or display sizes, the font family’s primary task, functionality, is clearly demonstrated at text sizes. The distinctive and open character shapes ensure the highest legibility. Foco is best applied where high visibility and recognition are demanded, yet with careful use it can support quiet communication with a subtle and sympathetic voice.The Foco Standard Edition includes the Latin Extended A character set. Please see the Corporate Edition of Foco for an extended character set including Latin, Greek and Cyrillic scripts.
Hipster Script is another of my habitual attempts at trying to reduce the divide between manual and digital. In this case, I try to articulate brush lettering, try to get the computer to emulate continuous painting. The process wasn't that different from my work with Feel Script's shot at computerized commercial lettering, though here we have a more casual contrast, rather than the high seriousness of the Copperplate script. Swashes, alternates, ligatures — too many of them, all trying to make the interplay between the tool’s two extreme widths remain faithful to hand movement subtleties. I also toyed with ligatures containing apostrophes, something I've never seen before. With this typeface I think I've become more balanced in uniting the spontaneity of post-war ad lettering with the current trends in illustration and design. Hipster Script received a Judge’s choice Certificate of Excellence at the Type Directors of New York and was selected to be part of the Bienal Tipos Latinos 2012.
OTF | 1 Font | JPEG Preview | 18 M bRAR