OTF | 6.54 MB
If you’re searching for a new sans-serif, here is Wes FY!
This font is a modern geometric grotesk reminding of Paul Renner’s Futura. It has a large x-height and tight letter-spacing, and comes in five weights from Thin to Black. While the extremes are definitely intended to large sizes usage, the intermediate weights will be well suited to text setting at smaller sizes.
OTF | 8.1 MB
Raincoat’s secret Victorian heritage is betrayed by its even more secret classic rock heritage.OpenType-savvy applications will give your work a customized look you by swappin’ letters for custom ligatures. For example: in common letter groups, the ends of the T change shape to conform with adjacent letters. A double O joins to form 2 sweet rings (awww) and buckets more.
Originally Mamontov has been inspired by poster (usually wooden) types of the end of 19th—the beginning of 20th centuries. The type family was named after Savva Ivanovich Mamontov (1841-1918), Russian industrialist and patron of the arts. Massive asymmetric serifs, stocky proportions, type weight... are traces of harsh imperial reality. And soft forms of ovals, exaggerated compensators, humanistic curves of serifs and horizontal strokes betray the sensitivity and artistry of Savva Ivanovich. Mamontov has 25 styles, ranging from Light to Black and from Condensed to Wide, with more than 1000 characters per font.
OTF | 25 Fonts | JPEG Preview | 5.5 Mb RAR
Trade Gothic was designed by Jackson Burke between 1948 and 1960 for Linotype. In the nineteenth-century grotesque style, like News Gothic, Trade Gothic has a large x-height. Trade Gothic, with its condensed faces, is a classic design for newspaper work, particularly for headlines and classified advertising. The condensed versions increase the versatility of the typeface, particularly for setting headlines and subheads.
OTF | 14 Fonts | JPEG Preview | 5.2 Mb RAR
Silver Twig is a monoline upright script font. Although digitally created, this typeface resembles handwriting and has organic shapes. Silver Twig is available in three styles: Regular; Wavy - with curly lower case ascenders and descenders; and Swashy - with flourishing initial caps.
OTF | 3 Fonts | JPEG Preview | 4.3 Mb RAR
OTF | 16.8 MB
Fram is an uppercase stencil typeface. It comes with a fine-tuned kerning, its extensive character set ensures multiple languages coverage and the design is adapted to different ranges of size through size-specific optical compensation. Fram L is intended for use at large sizes and Fram S with larger gaps guarantees good performance even when the size is reduced.
OTF | 729 KB
Our main purpose while developing this typeface was to reconstruct, in the most precise way, the first ten plates of the “Arte de Escribir”, in a chapter named “Enseñanza de la letra italiana, y sus principales variaciones, autores, sistemas, &c.”, dedicated to the analysis of the Italian Script. We decided by this plates because those are the few that don’t refer, directly or indirectly, to any author in particular. We strongly believe that these plates reflect the freedom of his very own calligraphy and are closely related to the calligraphic style that was a success among the spanish calligraphers: the Spanish Bastarda.