Initially an experiment in vertical calligraphy, Mama Script was developed by drawing on multiple sources of inspiration. These range from simple swashy handwriting, lettering and signage, to the works of renowned calligraphers. This script likes to stand out everywhere it appears. Mama Script comes with a full set of alternates, as well as many ligatures for precise display use and a simulated balance between the hand and the machine.
TTF | 2 Fonts | JPEG Preview | 1.4 Mb RAR
Downtempo is a 4-weight font family with some uniques characters including the ch ligature and some other Spanish language characters together with a really special italic style.
TTF | 6 Fonts | JPEG Preview | 1.1 Mb RAR
Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus.
OTF + TTF | 1 Font | JPEG Preview | 1.5 Mb RAR
PT Parangon™ was designed in 1986-2002 by Anatoly Kudryavtsev and licensed by ParaType. This type family belonges to Neogrotesque subclass of closed Sans Serif. Letterforms of lower case is based on the tradition of 1710 Civil type and some modern Italic types. The family has a lot of weights and styles including Extra Condensed, Condensed, Regular, Extra Light, Light, Bold, Extra Bold. For advertising and display matter. Also it can be used for texts in advertising magazines.
OTF | 15 Fonts | JPEG Preview | 1.4 Mb RAR
ALS Mirta is a clean text type well-suited for use in typesetting of smart volumes and kids’ books. A fine and well-balanced antiqua face is complemented by surprisingly vigorous sophisticated italics.
OTF | 4 Fonts | JPEG Preview | 1.6 Mb RAR
Malina (raspberry) is a plump, sweet-tempered display typeface. It comes in one style that includes small caps, ligatures, and ornaments. The face “speaks” several languages. Malina works wonders in titles and bite-size text nuggets. On top of the regular set of characters, the typeface hosts with ease a duck and fox, owl and crocodile, mammoth and pig. They’re irresistible when used by one or in bunches forming patterns. The typeface is ideal for signs, posters, sweets and kids product packaging; will feel at home in fun & entertainment stuff design and as a part of playful projects.
OTF | 1 Font | JPEG Preview | 1.8 Mb RAR
Dereza is a grotesque typeface designed specially for display use in children’s books and magazines. Books for little ones are usually set in grotesques, and a vigorous font would make a nice addition to the main face. Playful and lively, Dereza is great for any non-grown-up design such as games and toy boxes, cookie jars and cereal packs, clothing labels and other things meant for kids. It looks super in speech bubbles. The Dereza family includes four fonts, from light to bold, with ligatures, lowercase figures and accented characters.
OTF | 4 Fonts | JPEG Preview | 1.8 Mb RAR
Bingley is a beautifully old-fashioned, proper, and full of class body typeface. The British feel of this face comes from its inspirational source—a tombstone script from Oxford. The characters are squat and nearly square in proportions, even cursive comes with a pronounced breadth. Generous counters and pleasant stroke weight contrast ensure high legibility of any text set in Bingley. Pronounced serifs and drop-shaped terminals further enrich the experience.
OTF | 2 Fonts | JPEG Preview | 1.5 Mb RAR
PT Bazhanov™ was designed at Polygraphmash type design bureau in 1961 by Michael Rovensky (1902-1996). Based on the lettering by Moscow book designer Dmitry Bazhanov (1902-1945). Old-fashioned flavor of this design recreates the Soviet hand-lettering style of the 1940s. For use in title and display typography. The digital version was developed for ParaType in 2001 by Lyubov Kuznetsova.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
Bosque is a typeface designed by Paula Nazal and Daniel Hernandez. It belongs to handmade style, it’s rough and raw with soft edges. It has 6 variants: Normal, Wood, Shadow, Wood Shadow, Dingbats y Shadow One, this gives great versatility. It possess a wide set of characters, ligatures and some alternates.
OTF | 6 Fonts | JPEG Preview | 1.9 Mb RAR
Yet another typeface with simplicity as its core element. Concord is derived from a successful type family ‘Accord Alternate’ with an added geometric touch. Concord is a geometric sans serif. It has large counters which enhance readability. It is available in seven different weights for emphasis.
TTF | 7 Fonts | JPEG Preview | 3.7 Mb RAR
Centro Slab Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
OTF | 16 Fonts | JPEG Preview | 8.8 Mb RAR
Vitali is a variation of my last font Aneba_family. This is geometric sans serif typeface family with a clean feel. The low contrast and high x height is perfect for longer text and Headlines. Vitali family contains 2 weights in two different styles - bold & italic.
OTF | 8 Fonts | JPEG Preview | 6 Mb RAR
Semplicita Pro is a new sans serif design that effortlessly straddles the tri-cornered divide between the geometrical, humanist, and gothic sans serifs. We started by reappraising Semplicità, Alessandro Butti’s important 1930 design for Nebiolo. Fueled by Futura, Semplicità gave us the clue to the future: Replace the cool geometric Teutonic soul of Futura with the warm, humanist, calligraphic letterforms that are characteristic not of the Bauhaus but of the Italian Renaissance. With its radically revised formal structure, where only a few characters have a hint of geometric perfection, and the rest are drawn in a calligraphic manner, Semplicità is buzzing with ideas and has served as a gene pool for several new typefaces over the last two decades. Yet Semplicita Pro goes its own way. It isn't a simple revival of Semplicità, which would have looked like a period piece. We wanted to use it to solve a practical puzzle: How to make modernist sans serif letterforms truly readable at small sizes yet persuasive as message-carriers in display. We decided to keep its calligraphic soul and even emphasize it in places, and to relegate to alternatives all the features that seemed to be over-exaggerated, over-decorative, or simply non-functional. The result is an intensely readable sans serif design that, while obviously new and clearly stylish, provides the high comfort factor readers experience when viewing the classic stalwarts of 20th century sans serif design, and gives contemporary designers a widely expressive palette, all within the principle of simplicity leading to better understanding. Semplicita Pro is loaded with OpenType features and over 850 glyphs per font. For more information on the design, complete character sets, technological features, and print tests, consult the accompanying PDF.
OTF | 10 Fonts | JPEG Preview | 5.7 Mb RAR
The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920s. Panos Vassiliou came across this font while attempting to reduce the design elements of a text typeface, by introducing Bauhaus-like minimal forms to the characters. The first version was completed back in 2002 and introduced one year later in Parachute’s 3rd catalog, under the name PF Traffic. Some time later it was decided to make a few improvements but the project was so carried away that the new typeface which emerged needed urgently a new name. Beau Sans Pro is a modern sans-serif family of 16 fonts which includes true-italics. Just like all other Parachute fonts, it covers a broad range of languages by incorporating 3 major scripts i.e. Latin, Greek and Cyrillic in one font. Furthermore, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life. This typeface is totally recommended for titles and/or body text when you want to give a distinct and contemporary identity to a product or service.
OTF | 16 Fonts | JPEG Preview | 7.8 Mb RAR
Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.
OTF | 3 Fonts | JPEG Preview | 4.2 Mb RAR
In 2004, Frutiger, together with Linotype in-house type designer Akira Kobayashi, reworked the Avenir family to address on-screen display issues. The result was titled Avenir Next. The typeface family was increased to 24 fonts: 6 weights, each with a roman and italic version, in 2 widths: normal and condensed. Frutiger’s numbering system was abandoned in favor of more conventional weight names. The glyph set was expanded to include small caps, old style figures, subscripts and superscripts, ligatures.
OTF | 17 Fonts | JPEG Preview | 4 Mb RAR
A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more distinction at small point sizes serif like details have been drawn into uppercase ‘I’, ‘J’ and lowercase ‘i’ and ‘j’. Other characters of distinction include a serifed number 1 and a crossed out zero. Nauman is a highly legible font family aimed at large interface based projects. Details include over 800 characters with alternative lowercase a, e, I and M. 7 variations of numerals, true small caps with accents, manually edited kerning and Opentype features.
OTF | 20 Fonts | JPEG Preview | 6.6 Mb RAR
Showcase, the new typeface of Daniel Hernandez and Paula Nazal is a handmade font consisting of a set of types that are composed of four styles, one script, one sans, a slab, sans mini and finally a set of ornaments and dingbats, all made to work together in the same language. It’s inspired by a pen that writes different typefaces and ornaments, and casually reaches into a harmonious family. Showcase is very easy to use and allows great versatility, can be used both in a magazine as a restaurant, through windows, cafes, and really anyway you can think of!
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
Sofia Soft is the rounded version of the successful Sofia Pro family. This softer variation with rounded strokes gives Sofia Soft a unique geometric sans friendly aspect for display uses, texts and headlines, branding, signage, print and web design projects. Sofia Soft is the ideal companion of Sofia Pro and improve versatility of the global font family with optimized spacing and kerning for print and display. Sofia Soft supports extensive languages such as Western European, Central and Eastern European languages. Available in 8 versatile styles, all weights contain the same Opentype features than his sister with case sensitive forms, stylistic alternates, localized forms, standard ligatures, lining and oldstyle figures.
TTF | 8 Fonts | JPEG Preview | 4.6 Mb RAR
This new serif typeface incorporates the latest research on typographic legibility for children, features to make it--well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for childrenís books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to childrenís toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.
OTF | 48 Fonts | JPEG Preview | 8.2 Mb RAR
Inspired by sign painters of the past, Fancier Script is a bold and highly customizable script face. With all the OpenType features turned on, watch the letters instantly customize as you type.
OTF | 1 Font | JPEG Preview | 1.1 Mb RAR
With childlike simplicity and incredible versatility, Carrotflower is King. Drawn from one of my most commonly utilized lettering styles, its quiet unfussy nature lends itself well to birth announcements, wedding invitations, birthday parties, bar & bat mitzvahs and crafts. Combine with Carrotflower icons (Carroflower Christmas, Carrotflower Invitation & Carrotflower Celebration) to create fun cohesive designs.
OTF | 4 Fonts | JPEG Preview | 1.5 Mb RAR