Brandon Text is the companion of the famous Brandon Grotesque type family. It has a higher x-height than the Grotesque version and is optimized for long texts, small sizes and screens. This sans serif type family of six weights plus matching italics was designed by Hannes von Döhren in 2012. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Brandon Text has a functional look with a warm touch and works perfectly together with Brandon Grotesque. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps. The whole Brandon series is equipped for complex, professional typography with different sets of numbers, alternate letters, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.
OTF | 12 Fonts | JPEG Preview | 5.2 Mb RAR
Zulia is located in the west of Venezuela and it is the state in where Joluvian grew up. It is a region of sunshine, high temperatures, oil and cheerful people, although we choose the name to honor his mother who is from there (zuliana) and who is proud of her land and everything that it represents the area. Zulia is also his first typographic project. It is based on two of his favourite calligraphic styles: italic and brush pen. He started with simple and contrasted strokes on paper with brush and marker. After that he developed the full alphabet and its various options for each letter, starting from a set of handmade forms that could be connected in different ways according to the user needs. What motivates him to involve this style was to create a differentiation with his daily work by generating a heavier type, contrasted and low rise. Zulia finally got life of its own with the participation of Alejandro Paul and a feedback of techniques and skills that were generated with the duo work. Zulia is not just a typeface, Zulia is his love of letters.
OTF | 1 Font | JPEG Preview | 8.7 Mb RAR
Ganache is lovely and strong—not a true script, roman, or italic, but a distinctive hybrid. It’s smart, intricate, and fun, and deceptively simple. The type designer’s fascination with letter-fitting makes this an intriguing exercise in negative space. Note the lowercase and to a slightly lesser extent, the g slides into the negative space of the n. Sit a d and a b side by side, and these two sturdy, functional letters form a soft, sweeping curve in between—a delightful morsel. The uppercase letters are boldly stylish, and here, some of the counters display unexpected shapes. The O’s curlique tucks in to give the counter a form with the power to anchor a logo. The lowercase c echoes this in its counter. Between some letters, the negative space is transformed into a type of swash itself. Small, subtle surprises like these are sprinkled through this carefully structured typeface, giving it the power and charm to hold up in reversed out lettering (light on dark) in which the counters take on more prominence. Ganache surmounts the core challenge of packaging: to achieve functional goals without the loss of interest that makes a product invisible. It finds a happy balance: a heavy, substantial text that isn't dainty or wispy, one that says, “I'm over here!” with a dollop of sweetness and an enticing little wave. Ganache is accompanied by 185 swashes and alternates and 10 ornaments. The default has its distinctive “swashyness,” stylized but not extreme. Open Type’s Titling feature offers a simpler version, in which, for example, crossbars have a more standard roman look, and remnants of swashes are removed.
OTF | 1 Font | JPEG Preview | 3.9 Mb RAR
Ragazza Script isn’t just another display typeface. It honors the greatest handwriting skills but in a different way. Although It doesn't represent any traditional calligraphy style, it is still part of that expressive world. With more than 1000 glyphs, and taking advantage of the Opentype features, Ragazza is full of personality. When in use, it gives a feel very close to ornamental Copperplate mixed with some kind of modern 'high-contrast' typeface. Lots of alternates, swashes and initial capitals are the spine of this face, assuring almost infinite combination possibilities. The early forms that would eventually lead to what Ragazza is today, began as a college project –around 2006– in the context of the ‘Hyperfuente’ exercise developed during Typography 2, chair E. Longinotti, at the University of Buenos Aires. But that seed would never stop growing. Since then a lot of work had been made to take that initial project to a professional quality level. Ragazza Script is perfect for headlines and short phrases. It is the brand new modern script, designed by Guille Vizzari and published by Latinotype.
OTF | 1 Font | JPEG Preview | 5.9 Mb RAR
Azo Sans is a new sans serif loosely based on the elementary forms of geometry. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920’s, but is instilled with a humanistic quality. Azo Sans is full of nuances that soften the strictness of pure geometry, making the typeface more human and pleasant to read in longer body text, while maintaining a sober and rational appearance. Azo Sans comes in six weights from Thin to Black, with a matching cursive italic for every weight.
OTF | 12 Fonts | JPEG Preview | 4.4 Mb RAR
Core Sans G is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans G Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black), 3 for rounded (Medium, Bold, Extra Bold) with maching Italics. It also included 4 effects fonts (Outline, Neon, Shadow, Dimensional), Alternate Characters (a,g,t) and a bunch of ligatures. The Core Sans G provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.
TTF | 28 Fonts | JPEG Preview | 9.4 Mb RAR
A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR[center]
XXII Yonia most of all likes packaging, headlines on posters and flyers, and it really loves to be a logo for something with food or toys. It comes along with a lot of alternate letters so you can customize the look with swashes and alternates here and there.
OTF | 5 Fonts | JPEG Preview | 5.3 Mb RAR
Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to the original design, more weights, italics, small caps, biform shapes, alternates, and extended language support. This particular design is one of the more prominent forefathers and strong influencers of the soft, streamlined aesthetic that has been going strong in branding and geometric design for more than 40 years now. It cuts all links to melancholy and classic empire shapes, and introduces smooth contrast modulation that communicates sleek, adaptable youth, confidence, knowledge, and modern hi-tech presence. This is not your grandfather’s Eurostile. This is your offspring’s global hope, optimism, and total awareness. Sol Pro’s extended character set and range of weights and widths makes it quite suitable for applications of all sizes, from small collateral to product branding and massive marketing campaigns. The Sol Pro complete family comes in 20 fonts, each containing over 520 characters. Available in single fonts or value-maximizing packages.
OTF | 10 Fonts | JPEG Preview | 4 Mb RAR
The new Solomon type family includes 12 very unique design styles. These twelve designs are divided into two main style groups—text family and display (or decorative) family. The Solomon text pack is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The Solomon deco pack is created using ornamental work with organic forms at the heart of the design base. The use and combination of both groups - deco and text family, is highly recommended in order to attain maximum desired effects.
TTF | 12 Fonts | JPEG Preview | 6.1 Mb RAR