Bellas Artes is what happens when the brush of Angel Koziupa and the technical expertise of Alejandro Paul go face to face with the Art Deco aesthetic. The recognizable Koziupa curves become players of a game of halves, where there is no such thing as a better half, but both sides complete each other like in that perfect romance you will never forget. Bellas Artes is an excellent choice not only for packaging design, but also for book and music covers meant for the feminine demographic, collateral of classical taste, and of course pre-WWII visuals.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Barricada is a loud-voiced typeface with small counters that gives an interesting strong weight. Moreover, it has a solid structure providing strength. Its curved serifs and swashes give a touch of softness and make the letters a little playful. This is the right option to set a fresh and solid text.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Bakery Script is the Argentine duo’s nod to the high spirits of the 1970s. Angel Koziupa used his ever popular wild brush to draw the outline version, and Alejandro Paul refined it, expanded it, then extrapolated the solid version. While the outline version makes the letters seem like they're growing out of each other’s shadows, the solid version presents a wilder version of the casual dancing letters Koziupa’s brush has entertained us with during recent years. Sharp in places, perfectly curved in others, and with many letter alternates and ligatures included within the fonts, Bakery Script would be at home in packaging design, outdoors and adventure literature, and everywhere a display design needs that sharp but friendly touch to reach its goal.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Argenta is handwritten and fresh. The casual spirit of this face is evident, but complemented by very specific typographic details. A playful script with an immensely useful array of alternate characters. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.
OTF + TTF | 1 Font | JPEG Preview | 1.1 Mb RAR
Amorinda is a connected script that manages to be wild and disciplined at the same time. It can scream wildly within a design or smoothly blend in to make it more human. With its versatile character and a complete set of alternates, Amorinda is the perfect display face for everything from product branding to signage. This 2007 version of Amorinda is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as Adobe Creative Suite.
OTF + TTF | 2 Fonts | JPEG Preview | 1.5 Mb RAR
Hapna is a geometric slab serif designed as an alternative to other slab style fonts available on the market. The typeface was originally released in January 2013 as a free monospaced single weight slab serif called Hapna Mono. This new design has gone through detailed changes to the characters to help define a more contemporary alternative take on the traditional slab serif style. Hapna was inspired by the baseball culture and the graphic language of the early 1950s. Details include 6 weights, 406 characters and open type features.
OTF | 6 Fonts | JPEG Preview | 4.7 Mb RAR
Regia Sans is a typeface that was designed in 2008 in Concepción, Chile, and was first released for sale by Latinotype. It is a very thin and condensed font with a modular design, well-suited for short texts, logos, magazines, posters, etc. This new version includes more than 1,300 characters in Opentype format, many ligatures (including diacritical marks and numbers), two groups of alternate characters, and some swash characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.
OTF | 1 Font | JPEG Preview | 4.5 Mb RAR
The Swash version of Adriane Text features the best characteristics of this lineage, without losing the strong personality and elegant design featuring in your text styles, Adriane Swash brings a fancy look to this classic style. The family comes with a complete character set in Uppercase, Lowercase and Small Caps, and the Swash option can be activated through the OpenType features panel, including glyphs initial, intermediate and final, plus a wide range of stylistic ligatures, alternate glyphs, ornaments and languages.
OTF | 1 Font | JPEG Preview | 6.6 Mb RAR
From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.
OTF | 1 Font | JPEG Preview | 44.7 Mb RAR
Bolyar Pro type family is the ancestor of our successful font Bolyar. We decided to develop it to a new higher level - making it more sophisticated, detailed and useful at the same time. The new improved Bolyar is able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro for almost anything - from letterhead, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork.
OTF | 6 Fonts | JPEG Preview | 10.3 Mb RAR
XXII YeahScript – This brush script font with its large range of alternates fits great for any kind of signpainter job. It is designed to easily create cool logos, headlines and text phrases within a blink of an eye. Just open your glyphspalette and simply chose the alternates that fits best to your creation. Lots of swashes alternates and linestrokes will help you to complete your unique designs.
OTF | 1 Font | JPEG Preview | 13 Mb RAR
Grey Sans is a contemporary sans with an angular design. Rooted in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas of typeface design.
OTF | 8 Fonts | JPEG Preview | 4.1 Mb RAR
Sanchez, designed by Daniel Hernandez, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell.— offering contrast and balance to the square structure. Sanchez Slab is a new version, more robust with straight edges, that give greater character and power. Sanchez Slab comprises 12 variants, ranging from extra light to black, each of the same x-height.
OTF | 12 Fonts | JPEG Preview | 8.5 Mb RAR
Code Pro is a font family inspired by the original Sans Serif fonts like Avant Garde or Futura, but with a modern twist. It is clean, elegant and straight-to-the-point. Code font is applicable for any type of graphic design—web, print, motion graphics, etc.—and perfect for t-shirts and other items like posters and logos.
OTF | 10 Fonts | JPEG Preview | 5.8 Mb RAR
Banda is a semi-serif typeface characterized by a tall x-height and rounded semi-serifs. Although it was first designed as a display typeface, Banda quickly evolved into more complex type consisting of seven weights plus their respectful italics. Banda can be used for short passages of text as well as a fancy display type. Varying from the elegant and finesse, thinner weights to the almost childish bubbliness of the heavier weights, Banda is a great all-round performer suitable for logos, headlines, package & food designs & much more.
OTF | 14 Fonts | JPEG Preview | 4.3 Mb RAR
Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.
OTF | 1 Font | JPEG Preview | 1.8 Mb RAR
Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky, and juxtaposed letterforms provide a deviation from traditional calligraphy-inspired typefaces. Matchmaker features smart contextual alternates and swashes that add to the front and beginnings of letters (try using + + + on the end and = = = on the beginning of lowercase letters to see the feature in action). Also watch as letters on the end of words magically receive a shortened tail.
OTF | 1 Font | JPEG Preview | 2.9 Mb RAR
Meet Me In Brooklyn is a fun and friendly hand painted font. This typeface is unique and will brighten up any of your designs. Meet Me In Brooklyn was creating with a mix of water and acrylic paint giving it a softer wet brush feel. Capitals and lower case letters work exceptionally well together. This font is very playful but legible.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Thirsty Script from Yellow Design Studio is a contemporary script conceived as a marriage of elements from vintage signage scripts, Wisdom Script, Deftone Stylus, and Lobster. The result is a typeface with a ‘new meets vintage’ vibe. It’s friendly with an edge...a mixture of retro script, modern sans serif, and a shot of caffeine. Features include six weights from Light to Black, shadow layers, old-style figures, contextual alternates (for a slightly more traditional feel), multiple language support, and a handy selection of ligatures and stylistic alternates.
SHADOWS: Add depth and pop to all six weights of Thirsty Script quick & easy by duplicating the text layer and switching it to Shadow. Color and offset to taste.
TIPS: Thirsty Shadows are nicely offset automatically, but this distance can be easily customized for all weights except Light (which is too skinny to offset further without edges peeking out). Includes ligatures that correct shadow overlap issues. In Illustrator set area type options to Em Box Height for proper shadow alignment. In Photoshop align shadows manually.
OTF | 12 Fonts | JPEG Preview | 6.8 Mb RAR