OTF | WOFF | 5 MB
Bengala is a font based on Calligraphy & Geometry designed by Carlos Fabián Camargo. Its purpose is to be an innovative typographic system combining Script letters with geometric and hard Caps letters. The contradictory styles are ideal for designing covers, posters, branding and packaging. Its smooth calligraphic look meticulously incorporates characters to design logos and phrases that communicate dynamism and strategy.Bengala Script was inspired by Mistral by R. Excoffon. Bengala Script provides violent and unstable lines with generous spacing between the letters and tight horizontal proportions, producing showy upper and lower case italics inspired by French Gothic calligraphy late fifteenth century. For this reason, Bengala Script retains some uninterrupted calligraphic logic, up and down sometimes higher or shorter than the height of the lowercase, creating dynamism through a variable amount of contrast between thick and thin strokes.Bengala Dingbats has 62 drawings designed to accompany the designs. Script and Caps Bengala have different gender and the similar X height produces more visual appeal. This way Bengala Caps - inspired by the Porshe logo, due to its geometric uppercase Roman construction, extended horizontal proportions, light caliber, rounded strokes terminations and generous spacing between letters. Special thanks to John Moore and Manuel Corradine for their help with Open Type.
Naturalia font was designed by Carlos Fabián Camargo in 2012 and suggests an ultra-narrow, spontaneous and winding handwriting lettering, it is great for composing short and striking sentences. His idea behind not only alludes asymmetrical shapes but simple glyphs that compact vertical and tight proportions between lower case and upper case letters. Indeed, lower case letters have ascendant and descendant strokes shorter than the “x” height and width is generally condensed, saving horizontal space and supporting monolinear amount of contrast between thick and thin strokes accompanied by their sans serif endings. Most importantly, its full and empty arrhythmic areas consolidated variety of thicknesses simulating strokes that seem naive letters freehand draw.This lack of homogeneity is very useful for ranking words and phrases in eye-catching graphic design advertising events, culture, fun and entertainment. In that sense, his spontaneity is enhanced by OpenType features, “Swash” and “Titling” with decorated letters that move your baseline up and down as carousel. Finally, typographical and naif fusion holding Naturalia concept generates galloping reading useful for ranking short and folk sentences with calibers: Light, Book, Bold and Black. Thus, each “Pro” version has 350 glyphs with some features OpenType Swash, titling and Standard Ligatures. Naturalia also works in software without full OpenType functionality, for that it is recommended to use the remaining options. In order to emphasize the degree of hierarchy and as a special and distinctive feature, the variable Naturalia Black was designed with roundness and slight deterioration contours and also coated frames with zigzag edges that give the impression of black paper cutouts with white letters.
OTF | 13 Fonts | JPEG Preview | 4.9 Mb RAR
Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational! It’s a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes. Comes in 4 delightful flavors—Light, Regular, Medium and Bold.
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR
Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
OTF | WOFF | 18.3 MB
Le Havre Rough. It’s high-resolution, hand-crafted letterpress to the core. Based on insigne’s popular Le Havre typeface, this new heat-treated, weathered face of all caps joins the realism and appeal of the top-quality Le Havre family.Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices, too. Options include three inline versions, two shadow layers, and a clean primary version. Combine and match the options easily as you need, layering normal and shadow variations to alter appearance and texture. You can activate Art Deco alternates by using OpenType contextual alternates.Rough has an extra-large character set for many languages. Additionally, the typeface offers 62 extra ornaments like arrows, emblems, numbers & lines. Use its full texture and grit to capture the classic, genuine print feel that you need in your project.
OTF | WoFF | 1.3 MB
Via sans is a font inspired by classics like Steile Futura and Din 1451, with neo-humanist characteristics. It was designed as a font for fast reading from a distance, which saves horizontal space in the text composition, making it a very good alternative when composing long phrases in reduced spaces, with high readability in various sizes due to its ample counters. With round corners that reduce the irradiation that reflective materials in signs produce.This family is composed by 8 fonts, 4 weight variations and 4 inclination variations, which include European accents marks, ligatures, fractions, ordinals and tabular numbers, in addition to a pictogram set that complement applications for wayfinding and maps.
Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. High contrast is the key feature of Bodoni Sans. To maintain this contrast over a wide range of sizes, three optical sizes were drawn: Standard, Display and Text. Contrast adjustments were made for each optical size for optimal performance. The Standard was designed for the mid range of 12 to 60pt, Display for 48pt and above, and Text for 6 to 12pt. Web/Digital use was also considered while developing Bodoni Sans. The fonts were tested as web formats, and examined on a variety of screens, to ensure seamless use in both print and digital applications.
OTF | 8 Fonts | JPEG Preview | 4.3 Mb RAR
Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce.
OTF | 10 Fonts | JPEG Preview | 4.9 Mb RAR